
Wydawnictwo: Chandos
Nr katalogowy: CHAN 10848
Nośnik: 1 CD
Data wydania: marzec 2015
EAN: 95115184820
Nr katalogowy: CHAN 10848
Nośnik: 1 CD
Data wydania: marzec 2015
EAN: 95115184820
Nasze kategorie wyszukiwania
Epoka muzyczna: 20 wiek do 1960, romantyzm
Obszar (język): czeski
Rodzaj: kwartet
Epoka muzyczna: 20 wiek do 1960, romantyzm
Obszar (język): czeski
Rodzaj: kwartet
Janacek / Martinu: String Quartets
Chandos - CHAN 10848
Wykonawcy
Doric String Quartet
Doric String Quartet
Utwory na płycie:
Leoš Janáček (1854 – 1928):
String Quartet No. 1 ‘Kreutzer Sonata’
String Quartet No. 2 ‘Intimate Letters’
Bohuslav Martinů (1890 – 1959):
String Quartet No. 3
String Quartet No. 1 ‘Kreutzer Sonata’
String Quartet No. 2 ‘Intimate Letters’
Bohuslav Martinů (1890 – 1959):
String Quartet No. 3
This new recording by the Doric String Quartet pays homage to the Czech chamber music of the 1920s, featuring string quartets by Janáček and Martinů. Exclusive on Chandos, The Doric String Quartet is now established as one of the finest young ensembles in the world.
The chamber music output of Janáček is relatively small but often programmatic. As acknowledged by the composer, the two string quartets are a vehicle for his deepest feelings. The mounting tension of String Quartet No. 1, which culminates in a less anguished last movement, emphasises the heightened feelings of love, passion, and remorse with which he was concerned at the time of its writing. As he summed it up, the work depicts the ‘miserable woman, suffering, beaten, beaten to death’ from Tolstoy’s Kreutzer Sonata. Titled Intimate Letters, the Second Quartet – the last work Janáček completed – fulfils an autobiographical function, being a no less ardent and personal composition.
The Third String Quartet by Martinů reflects the influences of his teacher Roussel as well as the night-life ragtime and jazz world of Paris in which it was written, in 1929. By far the shortest of his seven mature quartets, it yet gives a greater degree of independence to each of the four instruments, allowing for some striking harmonic clashes and colourful scoring.
The chamber music output of Janáček is relatively small but often programmatic. As acknowledged by the composer, the two string quartets are a vehicle for his deepest feelings. The mounting tension of String Quartet No. 1, which culminates in a less anguished last movement, emphasises the heightened feelings of love, passion, and remorse with which he was concerned at the time of its writing. As he summed it up, the work depicts the ‘miserable woman, suffering, beaten, beaten to death’ from Tolstoy’s Kreutzer Sonata. Titled Intimate Letters, the Second Quartet – the last work Janáček completed – fulfils an autobiographical function, being a no less ardent and personal composition.
The Third String Quartet by Martinů reflects the influences of his teacher Roussel as well as the night-life ragtime and jazz world of Paris in which it was written, in 1929. By far the shortest of his seven mature quartets, it yet gives a greater degree of independence to each of the four instruments, allowing for some striking harmonic clashes and colourful scoring.















