Utwory na płycie:

• Rakoczy March- Anhang III No 10
• Intermezzo- Op 118 No 6
• Canon- Anhang III No 2
• Gigue- WoO4 posth No 1
• Gigue- WoO4 posth No 2
• Capriccio- Op 76 No 5
• Intermezzo- Op 76 No 7
• Capriccio- Op 76 No 8
• Gavotte by Chr W Gluck- Anhang Ia No 2
• Study No 1 Étude after Fr Chopin- Anhang Ia No 1
• Study No 2 Rondo after C M von Weber- Anhang Ia No 1
• Study No 3 Presto after J S Bach- Anhang Ia No 1
• Hungarian Dance- WoO 1 No 2
• Hungarian Dance- WoO 1 No 4
• Hungarian Dance- WoO 1 No 6
• Hungarian Dance- WoO 1 No 7
• Hungarian Dance- WoO 1 No 8
• Hungarian Dance- WoO 1 No 9
• Hungarian Dance- WoO 1 No 10
• Study No 5 Chaconne by J S Bach- Anhang ia No 1

Piano Pieces, Op. 76 Nos 5, 7, 8
Intermezzo, Op. 118 No. 6
Hungarian Dances, WoO 1 Nos 2, 4, 6 – 10
2 Gigues, WoO 4 posth.
Study No. 1, after Chopin, Anhang Ia No. 1
Study No. 2, after Weber, Anhang Ia No. 1
Study No. 3, after Bach, Anhang Ia No. 1
Study No. 5, after Bach, Anhang Ia No. 1
Gavotte after Gluck, Anhang Ia No. 2
Cannon in F minor, Anhang III No. 2
‘Rakoczy’ March, Anhang III No. 10

This is the sixth and final volume in Barry Douglas’s survey of Brahms’s output for solo piano, which started four years ago. The recital completes a project that over 441 minutes has represented a ‘triumph of Brahmsian thoughts’ and in which ‘every sound is resonantly Brahmsian’. According to BBC Music, ‘Douglas’s tone is a deep velvet cushion, the legatos full of affection and the rhythms galvanised with great energy’. The music recorded here spans the entirety of the composer’s creative career, from March 1852 (the Study after Weber) – eighteen months before the life-changing meeting between Brahms and Robert and Clara Schumann – to August 1893 (the Intermezzo, Op. 118 No. 6) – less than four years before his death, on 3 April 1897. The selection of works offered here invites us to consider Brahms under many aspects – arranger, virtuoso, pedagogue, historicist, and above all pianist – which Barry Douglas embraces perfectly.