

Wydawnictwo: Chandos
Nr katalogowy: CHAN 20360
Nośnik: 1 CD
Data wydania: grudzień 2025
EAN: 95115236024
Nr katalogowy: CHAN 20360
Nośnik: 1 CD
Data wydania: grudzień 2025
EAN: 95115236024
Saint-Saens / Coleridge-Taylor / Schumann: The Bassoonist’s Songbook
Chandos - CHAN 20360
Kompozytor
Camille Saint-Saens (1835-1921)
Samuel Coleridge-Taylor (1875-1912)
Clara Schumann (1819-1896)
Robert Schumann, Johann Sebastian Bach, Henri Dutilleux, Jerome Kern
Camille Saint-Saens (1835-1921)
Samuel Coleridge-Taylor (1875-1912)
Clara Schumann (1819-1896)
Robert Schumann, Johann Sebastian Bach, Henri Dutilleux, Jerome Kern
Wykonawcy
Amy Harman, basson
Tom Poster, piano
Amy Harman, basson
Tom Poster, piano
Camille Saint-Saëns:
Sonata for Bassoon and Piano
Samuel Coleridge-Taylor:
Five Fairy Ballads
Clara Schumann:
Ich stand in dunkeln Tr.umen
Er is gekommen
Liebst du um Schönheit
Robert Schumann:
Three Romances, Op. 94
Johann Sebastian Bach:
Sonata in D major, BWV 1028
Henri Dutilleux:
Sarabande et Cortčge
Jerome Kern:
All the Things You Are
Sonata for Bassoon and Piano
Samuel Coleridge-Taylor:
Five Fairy Ballads
Clara Schumann:
Ich stand in dunkeln Tr.umen
Er is gekommen
Liebst du um Schönheit
Robert Schumann:
Three Romances, Op. 94
Johann Sebastian Bach:
Sonata in D major, BWV 1028
Henri Dutilleux:
Sarabande et Cortčge
Jerome Kern:
All the Things You Are
A passionate advocate for the bassoon, Amy Harman is much sought after as a soloist, chamber musician, teacher, and communicator. Appointed solo bassoon of the Philharmonia Orchestra aged twenty-three, she is currently principal bassoon of the Aurora Orchestra and much in demand as a guest principal with leading orchestras in Europe, including Paavo Järvi’s Estonian Festival Orchestra and the Mahler Chamber Orchestra. Amy writes: ‘The quality in all the musicians I have loved is the ability to make their instruments sing – to make a sound that is an extension of their voice and to communicate directly to the souls of their listeners. I was lucky enough to give many recitals during my time sponsored by the Young Classical Artists Trust (YCAT), in my early twenties, and when I was putting together programmes, I was always drawn to either transcriptions of songs or repertoire in which I felt that the bassoon could leave behind its sometimes comedic image and become a voice. I have been even luckier to perform many of these recitals with Tom Poster, and we have over the years narrowed down our favourites to the pieces collected on this album. The Bassoonist’s Songbook is a showcase of the side of the bassoon that I love the most, and I hope that many of you, too, will enjoy the songs that nestle within this beautiful instrument.’









