
Wydawnictwo: Christophorus
Nr katalogowy: CHR 77390
Nośnik: 1 CD
Data wydania: styczeń 2016
EAN: 4010072773906
Nr katalogowy: CHR 77390
Nośnik: 1 CD
Data wydania: styczeń 2016
EAN: 4010072773906
Gabrieli: Music at San Marco di Venezia - Sacre Cantiones
Christophorus - CHR 77390
Kompozytor
Andrea Gabrieli (ok.1510-1586)
Andrea Gabrieli (ok.1510-1586)
Utwory na płycie:
Laudate Dominum omnes gentes
Laudate Dominum in sanctis eius
Laudate Dominum
Bonum est confiteri prima pars
Bonum est confiteri secunda pars
Domine, quid multiplicati prima pars
Domine, quid multiplicati secunda pars
Sic Deus dilexit mundum
Sancta et immaculata
O sacrum convivium
Laetare Ierusalem
Verba mea auribus prima pars
Verba mea auribus secunda pars
O sacrum convivium
O lux beata trinitas
Deus noster refugium prima pars
Deus noster refugium secunda par
Levavi oculos meos prima pars
Levavi oculos meos secunda pars
Levavi oculos meos terzia pars
Domine Dominus noster prima pars
Domine Dominus noster secunda pars

Andrea Gabrieli is one of the major musical figures of the late sixteenth century. Although he spent a large part of his life as an organist in San Marco in Venice, he is distinguished by his broad palette of styles and musical genres within his substantial compositional output. It can rightly be asserted that Gabrieli was the first Italian composer of international stature who primarily achieved his reputation on the strength of large-scale polychoral compositions. His significance additionally rests on his lasting effect as the teacher of an entire generation of musicians who then guaranteed the dissemination of his style across the south of Germany.
Gabrieli’s early compositions such as the Sacra Cantiones dating from 1565 are without doubt influenced by the works of Lasso with whom a lifelong friendship connected him. Orlando di Lasso had indeed published a set of motets in Munich and Venice only two years before Gabrieli, also entitled Sacra Cantiones. One is left with the suspicion that Gabrieli was entering into competition with Lasso with his collection of works and was seeking comparison with his fellow musician, a customary practice during this period. Gabrieli impressed not only through his excellent mastery of classical vocal polyphony, but also with compositions distinguished by a new simplicity generated by a close adherence to the comprehensibility of the text. His works were very much forward-looking, already anticipating the tonal language of composers such as Hans Leo Hassler and Melchior Franck.
Gabrieli’s early compositions such as the Sacra Cantiones dating from 1565 are without doubt influenced by the works of Lasso with whom a lifelong friendship connected him. Orlando di Lasso had indeed published a set of motets in Munich and Venice only two years before Gabrieli, also entitled Sacra Cantiones. One is left with the suspicion that Gabrieli was entering into competition with Lasso with his collection of works and was seeking comparison with his fellow musician, a customary practice during this period. Gabrieli impressed not only through his excellent mastery of classical vocal polyphony, but also with compositions distinguished by a new simplicity generated by a close adherence to the comprehensibility of the text. His works were very much forward-looking, already anticipating the tonal language of composers such as Hans Leo Hassler and Melchior Franck.