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Wydawnictwo: Christophorus
Nr katalogowy: CHR 77424
Nośnik: 1 CD
Data wydania: kwiecień 2018
EAN: 4010072774248
54,00zł
w magazynie
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Nasze kategorie wyszukiwania

Epoka muzyczna: barok
Obszar (język): niemiecki, szwedzki
Instrumenty: skrzypce, organy
Rodzaj: psalm

Schutz / Weckmann / Duben: Grant Us Peace - Music for the Thirty Years’ War

Christophorus - CHR 77424
Kompozytor
Heinrich Schutz (1585-1674)
Matthias Weckmann (1616-1674)
Andreas Duben (1597-1662)
Nicolaus Weisbeck, Johann Sixt von Lerchenfels, Christoph Harant van Polschitz & Weseritz, Paul Schaffer, Marcus Dietrich Brandisius, Johann Hildebrand
Wykonawcy
Johann Rosenmüller Ensemble:
Veronika Winter, soprano
Verena Gropper, soprano
Marie Luise Werneburg, soprano
Beat Duddeck, alto
Johanna Krell, alto
Georg Poplutz, tenor
Nils Giebelhausen, tenor
Dirk Schmidt, bass
Dominik Worner, bass
Georg Josef Thauern, bass
Volker Muhlberg, violin
Irina Kisselova, violin
Ursula Kessl, viola
Bodo Lonartz, viola
Jurgen Banholzer, organ / Arno Paduch
Nagrody i rekomendacje
 
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Heinrich Schutz:
Syncharma musicum »En novus elysiis«, SWV 49
Da pacem Domine, SWV 465
Teutoniam dudum belli, SWV 338
Verleih uns Frieden & Gib unsern Fürsten, SWV 372 & 373

Nicolaus Weisbeck:
Votiva OEolica acclamatio »Machet die Tore weit«

Johann Sixt von Lerchenfels:
Te Deum laudamus
Da pacem Domine

Christoph Harant von Polschitz & Weseritz:
Qui confidunt in Domino

Paul Schaffer:
Actus gratulatoris »Venite exultemus«

Marcus Dietrich Brandisius:
Victoria Sveco-Saxonica »Fortes heroes pugnabant«

Andres Duben:
Pugna triumphalis »Bonum certamen certavi«

Johann Hildebrand:
Ach Gott! Wir haben‘s nicht gewusst, was Krieg für eine Plage ist

Matthias Weckmann:
Wie liegt die Stadt so wüste
With the so-called Prague Defenestration on 23 May 1618, now 400 years ago, a dispute which had been smouldering for years (between the predominantly Protestant Bohemian nobility and the Catholic sovereign authority) escalated harshly. This date marks the beginning of the Thirty Years’ War, which was one of the longest and most destructive conflicts in human history: it resulted in eight million fatalities mainly from violence, famine and plagues, but also from military engagements predominantly fought on German soil since 1620, only brought to an end by the Peace of Westphalia in 1648.

Arno Paduch, the leader of the Johann Rosenmüller Ensemble and a specialist for German Music in the early Baroque, has compiled a program with music written for various events which took place during this war period. It is music for political occasions, like a “Te Deum” dedicated to Emperor Ferdinand II for the celebration after the Battle at the White Mountain by Johann Sixt von Lerchenfels, Heinrich Schütz’ composition “Da pacem Domine”, which was performed during the Electoral Diet in October 1627, or Andreas Düben’s funerary motet “Bonum certamen certavi” for the Swedish king Gustav Adolf, who was killed in the Battle of Lützen. But the programme also contains compositions that describe the horrors of war: two good examples are Johann Hildebrand’s simple but poignant monody “Ach Gott! Wir haben’s nicht gewusst, was Krieg für eine Plage“ (Oh Lord, we didn’t know what a real plague is war), which expressed the widespread despair at the hopelessness of the situation, or Matthias Weckmann’s sacred concerto “Wie liegt die Stadt so wüste” (How doth the city sit solitary).

Recording: 28 - 31 August 2017, St. Peter & Paul-Kirche Rössing, Nordstemmen (Germany)

Zobacz także:

  • CHR 77417
  • CAR 83275
  • CAR 83274
  • APR 6027
  • SIGCD 546
  • ACD 22744
  • SIGCD 537
  • DHR 8053
  • GEN 18498
  • GEN 18492