Utwory na płycie:

• Barbara, dira effera!, ZWV 164
• Alma Redemptoris Mater, ZWV 126
• Hipocondrie, ZWV 63
• Christe eleison, ZWV 29
• Lamentationes 1ma et 2da pro Die Veneris Sancto - Lamentatio III/2, ZWV 53/6
• I Penitenti al Sepolcro del Redentore - Sinfonia in C minor, ZWV 63
• Dormi nate, dormi, Deus, ZWV 171
• Sollicitus fossor, ZWV 209

Barbara, dira effera!, ZWV 164
Alma Redemptoris Mater, ZWV 126
Hipocondrie, ZWV 63
Christe eleison, ZWV 29
Lamentatio III/2, ZWV 53/6
Sinfonia in C minor, ZWV 63
Dormi nate, dormi, Deus, ZWV 171
Sollicitus fossor, ZWV 209

Jan Dismas Zelenka is a significant but frequently neglected eighteenth century composer who received his musical training in Prague and was active from around 1710 at the court of August Elector of Saxony in Dresden where he was primarily responsible for church music at court, but also composed secular instrumental works. He was universally admired in his time and is today steadily regaining his well deserved reputation. His music displays a wide emotional spectrum ranging from contemplation to triumphant ecstasy to an equal degree in his vocal works and textless instrumental music.

The accomplished young British countertenor Alex Potter succeeds in displaying this wide emotional range in selected works for alto solo: he dazzles with astounding virtuosity in the motet “Barbara, dira effera” and soars in tender arcs of tension in his performance of the “Christe eleison” from a late unfinished mass by Zelenka. He is accompanied with consummate sensitivity by the Capriccio Barockorchester from Basel.

---

Recording: 6-9 February 2012, Reformierte Kirche, Arlesheim (Switzerland).