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Epoka muzyczna: 20 wiek do 1960
Obszar (język): polski
Instrumenty: wiolonczela
Rodzaj: koncert
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Epoka muzyczna: 20 wiek do 1960
Obszar (język): polski
Instrumenty: wiolonczela
Rodzaj: koncert
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Weinberg: Concertos Svedlund
Chandos - CHSA 5064
Kompozytor
Mieczysław Weinberg (1919-1996)
Mieczysław Weinberg (1919-1996)
Wykonawcy
Claes Gunnarsson, cello
Anders Jonhäll, flute
Urban Claesson, clarinet
Gothenburg Symphony Orchestra / Thord Svedlund
Claes Gunnarsson, cello
Anders Jonhäll, flute
Urban Claesson, clarinet
Gothenburg Symphony Orchestra / Thord Svedlund
Utwory na płycie:
- CD01 TK 01 Mieczyslaw Weinberg Fantasia for Cello and Orchestra Op 52 (1951 53) Adagio Andante leggiero Adagio
- CD01 TK 02 Mieczyslaw Weinberg Fantasia for Cello and Orchestra Op 52 (1951 53) Allegro con fuoco Cadenza (Lento)
- CD01 TK 03 Mieczyslaw Weinberg Fantasia for Cello and Orchestra Op 52 (1951 53) Andantino leggiero Adagio
- CD01 TK 04 Mieczyslaw Weinberg Concerto No 2 for Flute and Orchestra Op 148 (1987) Allegro
- CD01 TK 05 Mieczyslaw Weinberg Concerto No 2 for Flute and Orchestra Op 148 (1987) Largo
- CD01 TK 06 Mieczyslaw Weinberg Concerto No 2 for Flute and Orchestra Op 148 (1987) Allegretto Andante molto ritenuto Largo
- CD01 TK 07 Mieczyslaw Weinberg Concerto [No 1] for Flute and String Orchestra Op 75 (1961) Allegro molto
- CD01 TK 08 Mieczyslaw Weinberg Concerto [No 1] for Flute and String Orchestra Op 75 (1961) Largo
- CD01 TK 09 Mieczyslaw Weinberg Concerto [No 1] for Flute and String Orchestra Op 75 (1961) Allegro comodo
- CD01 TK 10 Mieczyslaw Weinberg Concerto for Clarinet and String Orchestra Op 104 (1970) Allegro
- CD01 TK 11 Mieczyslaw Weinberg Concerto for Clarinet and String Orchestra Op 104 (1970) Andante
- CD01 TK 12 Mieczyslaw Weinberg Concerto for Clarinet and String Orchestra Op 104 (1970) Allegretto
Concertos:
Fantasia for Cello and Orchestra, Op. 52
Flute Concerto No 2, Op. 148
Flute Concerto [No. 1], Op. 75
Clarinet Concerto, Op. 104
Fantasia for Cello and Orchestra, Op. 52
Flute Concerto No 2, Op. 148
Flute Concerto [No. 1], Op. 75
Clarinet Concerto, Op. 104
The association that Weinberg enjoyed with some of the finest conductors and instrumental virtuosos in the Soviet Union was a source of vital moral support. This was the case not only during times of severest stress (such as his partial blacklisting following the 1948 ‘anti-formalism’ campaign, and his arrest in early 1953 on trumped-up charges of Zionist agitation) but also later in his life when he kept his distance from all intrigues and avoided the teaching or administrative roles that automatically gave many of his composer colleagues a sense of social purpose.
The violinist and conductor Thord Svedlund is a highly experienced and versatile musician. Having studied in Sweden, the USA and The Netherlands, for the last twenty years he has worked as a violinist in the Gothenburg Symphony Orchestra. In 1991 he embarked on a conducting career that has earned him praise by critics and audiences alike. He has conducted several of Sweden’s leading orchestras, including the Gothenburg, Norrköping and Umea symphony orchestras. He has also worked as co-conductor with Neeme Järvi and Peter Eötvös, and with the latter appeared in critically acclaimed performances of Charles Ives’s extraordinary Fourth Symphony in both Sweden and Germany. He has also been invited to conduct in Shanghai, China. Thord Svedlund has recorded for radio and television on numerous occasions, and his discography presents music by composers ranging from Bach and Haydn to the contemporary Swedish scene.
The violinist and conductor Thord Svedlund is a highly experienced and versatile musician. Having studied in Sweden, the USA and The Netherlands, for the last twenty years he has worked as a violinist in the Gothenburg Symphony Orchestra. In 1991 he embarked on a conducting career that has earned him praise by critics and audiences alike. He has conducted several of Sweden’s leading orchestras, including the Gothenburg, Norrköping and Umea symphony orchestras. He has also worked as co-conductor with Neeme Järvi and Peter Eötvös, and with the latter appeared in critically acclaimed performances of Charles Ives’s extraordinary Fourth Symphony in both Sweden and Germany. He has also been invited to conduct in Shanghai, China. Thord Svedlund has recorded for radio and television on numerous occasions, and his discography presents music by composers ranging from Bach and Haydn to the contemporary Swedish scene.