Wydawnictwo: Chandos
Nr katalogowy: CHSA 5120
Nośnik: 1 SACD
Data wydania: czerwiec 2013
EAN: 95115512029
Nr katalogowy: CHSA 5120
Nośnik: 1 SACD
Data wydania: czerwiec 2013
EAN: 95115512029
Nasze kategorie wyszukiwania
Epoka muzyczna: 20 wiek do 1960
Obszar (język): niemiecki
Rodzaj: balet, opera
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Epoka muzyczna: 20 wiek do 1960
Obszar (język): niemiecki
Rodzaj: balet, opera
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Strauss: Josephslegende, etc
Chandos - CHSA 5120
Kompozytor
Richard Strauss (1864-1949)
Richard Strauss (1864-1949)
Utwory na płycie:
- Josephslegende- Op 63- TrV 231 (1912-14) - Allegro moderato -
- Josephslegende- Op 63- TrV 231 (1912-14) - Zug und Tanz der Frauen Allegretto -
- Josephslegende- Op 63- TrV 231 (1912-14) - Erste Tanzfigur Allegro moderato -
- Josephslegende- Op 63- TrV 231 (1912-14) - Zweite Tanzfigur Dasselbe Zeitmaß -
- Josephslegende- Op 63- TrV 231 (1912-14) - Dritte Tanzfigur Allegro - Molto agitato - Tempo I -
- Josephslegende- Op 63- TrV 231 (1912-14) - Ziemlich langsam - Allegretto -
- Josephslegende- Op 63- TrV 231 (1912-14) - Allegro moderato -
- Josephslegende- Op 63- TrV 231 (1912-14) - Ziemlich langsam - Ziemlich lebhaft - Molto allegro -
- Josephslegende- Op 63- TrV 231 (1912-14) - Etwas ruhiger - Schnell -
- Josephslegende- Op 63- TrV 231 (1912-14) - Ziemlich lebhaft - Zweite Tanzfigur - [Ziemlich lebhaft] -
- Josephslegende- Op 63- TrV 231 (1912-14) - Etwas mäßiger - Tempo I -
- Josephslegende- Op 63- TrV 231 (1912-14) - Dritte Tanzfigur Lebhaft- in erregtem- aber stets gemessenem Schreiten - Etwas breiter - Allmählich
- Josephslegende- Op 63- TrV 231 (1912-14) - Vierte Tanzfigur Viel ruhiger- leicht schwebend -
- Josephslegende- Op 63- TrV 231 (1912-14) - Etwas lebhafter - Ruhig im Vortrag -
- Josephslegende- Op 63- TrV 231 (1912-14) - Schneller - Ziemlich lebhaft - Allmählich fließender -
- Josephslegende- Op 63- TrV 231 (1912-14) - Der Abend bricht herein [ ] - Allmählich fließender -
- Josephslegende- Op 63- TrV 231 (1912-14) - Schnell -
- Josephslegende- Op 63- TrV 231 (1912-14) - Schnell und hastig - Agitato - Ziemlich lebhaft -
- Josephslegende- Op 63- TrV 231 (1912-14) - Viel ruhiger- stets alla breve - Allmählich etwas bewegter -
- Josephslegende- Op 63- TrV 231 (1912-14) - Listesso tempo - Schneller - Noch schneller -
- Josephslegende- Op 63- TrV 231 (1912-14) - Mäßig schnell - Erste Tanzfigur - Allmählich bewegter -
- Josephslegende- Op 63- TrV 231 (1912-14) - Mäßig bewegt - Schnell - Immer lebhafter -
- Josephslegende- Op 63- TrV 231 (1912-14) - Sehr lebhaft - Äußerst lebhaft - Prestissimo -
- Josephslegende- Op 63- TrV 231 (1912-14) - Allmählich etwas ruhiger - Ruhiger -
- Josephslegende- Op 63- TrV 231 (1912-14) - Bewegt - Noch lebhafter - Etwas breit
- Love Scene from Feuerwnot- Op 50- TrV 203 (1900-01)
- Festmarsch- Op 1- TrV 43 (1876)
Josephslegende, Op. 63, TrV 231 (1912 – 14) Action in One Act - by Harry Graf Kessler and Hugo von Hofmannsthal
Love Scene from ‘Feuersnot’, Op. 50, TrV 203 (1900 – 01)
Festmarsch, Op. 1, TrV 43 (1876) - in E flat major, in Es-Dur, en mi bémol majeur
Love Scene from ‘Feuersnot’, Op. 50, TrV 203 (1900 – 01)
Festmarsch, Op. 1, TrV 43 (1876) - in E flat major, in Es-Dur, en mi bémol majeur
This Super Audio CD features works by Strauss performed by the Royal Scottish National Orchestra under Neeme Järvi, who in 2012 celebrated his thirty-year recording career with Chandos Records. The Josephslegende, premiered in 1914, is a ballet based on the Biblical tale of the adventures of Joseph in Egypt after he had been sold into slavery by his brothers. Upon starting work on the score Strauss found himself quickly bored with the character of the ‘chaste’ ‘God-seeker’ Joseph and showed far more interest in the sexual element of the story, in which Potiphar’s wife attempts to seduce Joseph and ends up committing suicide. Sexual themes remain prevalent in the Love Scene from Strauss’s satirical second opera, Feuersnot. In this dramatic closing scene the young Diemut sacrifices her virginity to release a spell that threatens her town. At the time of the premiere the sexual nature of the work and its progressive musical language were deeply shocking. Completing the disc is a piece of entirely different character, written when Strauss was only twelve years old. The Festmarsch, Op. 1 was Strauss’s first published orchestral work, launched by Strauss’s own father in a concert given by his amateur orchestra in 1881.