Wydawnictwo: Chandos
Seria: Atterberg Symphonies
Nr katalogowy: CHSA 5154
Nośnik: 1 SACD
Data wydania: maj 2015
EAN: 95115515426
Seria: Atterberg Symphonies
Nr katalogowy: CHSA 5154
Nośnik: 1 SACD
Data wydania: maj 2015
EAN: 95115515426
Nasze kategorie wyszukiwania
Epoka muzyczna: 20 wiek do 1960
Obszar (język): szwedzki
Rodzaj: symfonia
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Epoka muzyczna: 20 wiek do 1960
Obszar (język): szwedzki
Rodzaj: symfonia
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!Atterberg: Orchestral Works, Vol. 3
Chandos - CHSA 5154
Kompozytor
Kurt Magnus Atterberg (1887-1964)
Kurt Magnus Atterberg (1887-1964)
Nagrody i rekomendacje
Utwory na płycie:
Symphony No. 1 in B minor, Op. 3
Symphony No. 5 in D minor, Op. 20
‘Sinfonia funebre’
Symphony No. 5 in D minor, Op. 20
‘Sinfonia funebre’
Neeme Järvi and the Gothenburg Symphony Orchestra continue their Atterberg survey with this third volume of symphonies. Atterberg’s music will be in the spotlight this summer with the celebration surveying Nordic composers Nielsen and Sibelius.
Atterberg sent the first three completed movements of his Symphony No. 1 to Stockholm’s Royal Academy, seeking a scholarship in order to travel to several cities in Germany to attend musical performances. When he came back he added a finale with an introductory Adagio in which he, as it were, ‘reminded’ himself of what he had already composed. The first performance of the symphony, in 1912 – also Atterberg’s first concert as a conductor – was warmly welcomed although the work was thought very modern; six months later it became the first of Atterberg’s works to be played abroad.
Atterberg also conducted the premiere of his Symphony No. 5, which gets its title ‘Funebre’ from the slow, tragic second movement, particularly an elegiac motive in the first theme. The movement is a sort of lament over his unaccomplished early dreams and hopes. Atterberg made several revisions to this work, even rewriting the last movement twenty-five years later, and it is the revised version that has been recorded here.
Atterberg sent the first three completed movements of his Symphony No. 1 to Stockholm’s Royal Academy, seeking a scholarship in order to travel to several cities in Germany to attend musical performances. When he came back he added a finale with an introductory Adagio in which he, as it were, ‘reminded’ himself of what he had already composed. The first performance of the symphony, in 1912 – also Atterberg’s first concert as a conductor – was warmly welcomed although the work was thought very modern; six months later it became the first of Atterberg’s works to be played abroad.
Atterberg also conducted the premiere of his Symphony No. 5, which gets its title ‘Funebre’ from the slow, tragic second movement, particularly an elegiac motive in the first theme. The movement is a sort of lament over his unaccomplished early dreams and hopes. Atterberg made several revisions to this work, even rewriting the last movement twenty-five years later, and it is the revised version that has been recorded here.
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