
Wydawnictwo: Chandos
Nr katalogowy: CHSA 5187
Nośnik: 1 SACD
Data wydania: kwiecień 2018
EAN: 95115518724
Nr katalogowy: CHSA 5187
Nośnik: 1 SACD
Data wydania: kwiecień 2018
EAN: 95115518724
Crusell: The Three Clarinet Concertos & other
Chandos - CHSA 5187
Kompozytor
Bernhard Henrik Crusell (1775-1838)
Bernhard Henrik Crusell (1775-1838)
Wykonawcy
Swedish Chamber Orchestra / Michael Collins
Swedish Chamber Orchestra / Michael Collins
Utwory na płycie:
Concerto in E flat major, Op. 1
Grand Concerto in F minor, Op. 5
Concerto in B flat major, Op. 11
Introduction et air suédois in B flat major, Op. 12 - Revision of Variations on "Goda gosse glaset töm" (Dear boy, empty the glass)
Grand Concerto in F minor, Op. 5
Concerto in B flat major, Op. 11
Introduction et air suédois in B flat major, Op. 12 - Revision of Variations on "Goda gosse glaset töm" (Dear boy, empty the glass)
Michael Collins OBE embraces the double role of conductor and soloist in this thrilling revelation of clarinet treasures by the Finnish composer Bernhard Henrik Crusell, masterly supported by the fresh and spontaneous Swedish Chamber Orchestra.
A clarinettist and composer, Crusell wrote works that were altogether more ambitious than any by his contemporaries. He achieved fame for his melodic inflection, his highly nuanced technique, and his beautiful sound, for which the three concertos, featured here, interpreted by one of today’s most internationally respected clarinettists, are an ideal vehicle.
The level of virtuosity indeed makes severe technical demands on the soloist, as in the Introduction et air suédois, featured in the revised version published in 1829.
But in the roundness of tone and evenness in quality throughout the range of the instrument produced by Collins lies the lasting attraction of a compelling musical discourse that has ensured Crusell’s recent widespread revival way beyond the world of the clarinet and its devotees.
Recording: Konserthuset, Örebro, Sweden; 15 – 18 May 2017
A clarinettist and composer, Crusell wrote works that were altogether more ambitious than any by his contemporaries. He achieved fame for his melodic inflection, his highly nuanced technique, and his beautiful sound, for which the three concertos, featured here, interpreted by one of today’s most internationally respected clarinettists, are an ideal vehicle.
The level of virtuosity indeed makes severe technical demands on the soloist, as in the Introduction et air suédois, featured in the revised version published in 1829.
But in the roundness of tone and evenness in quality throughout the range of the instrument produced by Collins lies the lasting attraction of a compelling musical discourse that has ensured Crusell’s recent widespread revival way beyond the world of the clarinet and its devotees.
Recording: Konserthuset, Örebro, Sweden; 15 – 18 May 2017



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