Wydawnictwo: Chandos
Nr katalogowy: CHSA 5203
Nośnik: 1 SACD
Data wydania: październik 2017
EAN: 95115520321
Nr katalogowy: CHSA 5203
Nośnik: 1 SACD
Data wydania: październik 2017
EAN: 95115520321
Nasze kategorie wyszukiwania
Epoka muzyczna: 20 wiek do 1960
Obszar (język): azerski
Rodzaj: suita, poemat symfoniczny
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Epoka muzyczna: 20 wiek do 1960
Obszar (język): azerski
Rodzaj: suita, poemat symfoniczny
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!Karayev: Orchestral Works
Chandos - CHSA 5203
Kompozytor
Kara Karayev (1918-1982)
Kara Karayev (1918-1982)
Nagrody i rekomendacje
Utwory na płycie:
The Seven Beauties, Orchestral Suite
Don Quixote, Symphonic Engravings
Leyla and Mejnun, Symphonic Poem
Lullaby from the Ballet ‘The Path of Thunder’
Don Quixote, Symphonic Engravings
Leyla and Mejnun, Symphonic Poem
Lullaby from the Ballet ‘The Path of Thunder’
This set of idiomatically lyrical, rhythmic, and colourful interpretations by the Bournemouth Symphony Orchestra and its Chief Conductor, Kirill Karabits, who appears on Chandos for the first time, marks the start of a new series dedicated to lesserknown composers from former Soviet Union countries.
The Azerbaijani composer, teacher, folklore authority, and artistic dynamo Kara Karayev was at the forefront of his country’s musical life for almost four decades after the end of the Second World War, recognised as among the significant composers of the post-war Soviet Union. His compositions draw their material from his nation’s folk music as well as his personal voice, which emanated from Shostakovich and Prokofiev, Tchaikovsky’s ballets, and the fantasy operas of Rimsky-Korsakov.
At the dawn of Karayev’s centenary, Kirill Karabits pays homage to the composer by exploring some of his best-known works: the Persian-inspired orchestral suite The Seven Beauties (later expanded into a full-length ballet), a movement from the ballet The Path of Thunder, the exuberant Don Quixote (drawing on music for a film), as well as the symphonic poem Leyla and Mejnun, after a poem which Byron called ‘the Romeo and Juliet of the East’.
Recording: The Lighthouse, Poole, Dorset, 21 and 22 January 2017
The Azerbaijani composer, teacher, folklore authority, and artistic dynamo Kara Karayev was at the forefront of his country’s musical life for almost four decades after the end of the Second World War, recognised as among the significant composers of the post-war Soviet Union. His compositions draw their material from his nation’s folk music as well as his personal voice, which emanated from Shostakovich and Prokofiev, Tchaikovsky’s ballets, and the fantasy operas of Rimsky-Korsakov.
At the dawn of Karayev’s centenary, Kirill Karabits pays homage to the composer by exploring some of his best-known works: the Persian-inspired orchestral suite The Seven Beauties (later expanded into a full-length ballet), a movement from the ballet The Path of Thunder, the exuberant Don Quixote (drawing on music for a film), as well as the symphonic poem Leyla and Mejnun, after a poem which Byron called ‘the Romeo and Juliet of the East’.
Recording: The Lighthouse, Poole, Dorset, 21 and 22 January 2017
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