
Wydawnictwo: Coro
Nr katalogowy: COR 16212
Nośnik: 1 CD
Data wydania: kwiecień 2025
EAN: 828021621222
Nr katalogowy: COR 16212
Nośnik: 1 CD
Data wydania: kwiecień 2025
EAN: 828021621222
Viadana / Barbarino / Palestrina: 1612 Italian Vespers
Coro - COR 16212
Kompozytor
Lodovico da Viadana (1560-1627)
Bartolomeo Barbarino (ca.1568-ca.1617)
Giovanni Pierluigi da Palestrina (1525/6-1594)
Lodovico da Viadana (1560-1627)
Bartolomeo Barbarino (ca.1568-ca.1617)
Giovanni Pierluigi da Palestrina (1525/6-1594)
Viadana:
Deus in adiutorium meum
Dixit Dominus
Laudate, pueri
Laetatus sum
O dulcissima Maria
Nisi Dominus
Lauda, Jerusalem
Barbarino:
Exaudi Deus
Palestrina:
Quae est ista
A. Gabrieli:
Toccata del 9. Tono
Benedictus Dominus Deus Sabaoth
G. Gabrieli:
Magnificat for 7 Choirs (reconstr. Hugh Keyte)
In ecclesiis
Monteverdi:
Ab aeterno ordinata sum
Monteverdi, Soriano:
Ave, Maris Stella
Plainchant:
Versicle & Response, Collect of the Feast
Versicle & Response
Deus in adiutorium meum
Dixit Dominus
Laudate, pueri
Laetatus sum
O dulcissima Maria
Nisi Dominus
Lauda, Jerusalem
Barbarino:
Exaudi Deus
Palestrina:
Quae est ista
A. Gabrieli:
Toccata del 9. Tono
Benedictus Dominus Deus Sabaoth
G. Gabrieli:
Magnificat for 7 Choirs (reconstr. Hugh Keyte)
In ecclesiis
Monteverdi:
Ab aeterno ordinata sum
Monteverdi, Soriano:
Ave, Maris Stella
Plainchant:
Versicle & Response, Collect of the Feast
Versicle & Response
On this 2012 recording, previously available on Decca, Robert Hollingworth leads his celebrated ensemble, I Fagiolini, on a journey unearthing incredible lost works from the late Renaissance and early Baroque, adding to their acclaimed ‘Colossal Baroque’ series on CORO. 1612 - the death of Giovanni Gabrieli, master of the ‘Massive Baroque’ and most brilliant of Venetian multi-choir composers but also the publication of Lodovico Grossi da Viadana’s very modern fourchoir Vespers collection. I Fagiolini’s recording remains the only version of these spectacular Vespers as well as of Giovanni Gabrieli’s unparalleled military-evoking Magnificat for seven choirs (meticulously researched and reconstructed by Hugh Keyte) and replete with fanfares and canon blasts.