Wydawnictwo: Coviello Classics
Nr katalogowy: COV 92113
Nośnik: 1 SACD
Data wydania: czerwiec 2022
EAN: 4039956921134
Nr katalogowy: COV 92113
Nośnik: 1 SACD
Data wydania: czerwiec 2022
EAN: 4039956921134
Nasze kategorie wyszukiwania
Epoka muzyczna: współczesna
Obszar (język): niemiecki
Instrumenty: fortepian, organy
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!
Epoka muzyczna: współczesna
Obszar (język): niemiecki
Instrumenty: fortepian, organy
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!Stockhausen / Kagel: Carré / Chorbuch
Coviello Classics - COV 92113
Wykonawcy
Christoph Schnackertz, piano
Christoph Lehmann, organ, harmonium
Chorwerk Ruhr
Bochumer Symphoniker / Rupert Huber, Florian Helgath, Matilda Hofman, Michael Alber
Christoph Schnackertz, piano
Christoph Lehmann, organ, harmonium
Chorwerk Ruhr
Bochumer Symphoniker / Rupert Huber, Florian Helgath, Matilda Hofman, Michael Alber
Utwory na płycie:
Carré - Gruppe 1- Carré - Gruppe 33
- Carré - Gruppe 48
- Carré - Gruppe 57
- Carré - Gruppe 69
- Carré - Gruppe 81
- Carré - Gruppe 88
- Carré - Gruppe 93
- Chorbuch - Wer nur den lieben Gott
- Chorbuch - Kagel: Wer nur den lieben Gott
- Chorbuch - Orgel solo: Wer nur den lieben Gott
- Chorbuch - Kagel: In allen meinen Taten
- Chorbuch - Kagel: Du Friedefürst
- Chorbuch - Bach: Ein feste Burg
- Chorbuch - Kagel: Ein feste Burg
- Chorbuch - Kagel: Vater unser im Himmelreich
- Chorbuch - Bach: Ach Gott und Herr
- Chorbuch - Kagel: Ach Gott und Herr
- Chorbuch - Bach: Orgel solo Ach Gott und Herr
- Chorbuch - Kagel: Ach Gott und Herr
- Chorbuch - Bach: Soll's ja so sein
- Chorbuch - Kagel: Heut triumphieret
- Chorbuch - Kagel: Die Nacht ist kommen
- Chorbuch - Bach: Die Nacht ist kommen
- Chorbuch - Kagel: Christum wir sollen loben schon
- Chorbuch - Kagel: Es ist genug
- Chorbuch - Orgel solo: Wer nur den lieben Gott
- Chorbuch - Kagel: Wer nur den lieben Gott
- Chorbuch - Bach: Wer nur den lieben Gott
Karlheinz Stockhausen:
Carré
Maurizio Kagel:
Chorbuch
Carré
Maurizio Kagel:
Chorbuch
Bach's four-part chorale movements were "a musical experience of the first order," said Mauricio Kagel - who would want to contradict him? Of course, something entirely new emerges from Kagel's examination of them - his choral book reinterprets the principle that Kagel recognized in the chorales and described somewhat succinctly: "Above, the peaceful congregation sings; below, it seethes." The complexity of the sound result can be guessed from his inspiration: "I heard in me a music that oscillated between Gesualdo and Max Reger."
With Karlheinz Stockhausen, Chorwerk Ruhr confronts Kagel with an antipode: at the same place of activity, Cologne, he wrote Carré. As the name suggests, the arrangement of four orchestras, conducted by four conductors, plays the decisive role here, each supplemented by a choral group. The extremely precise timing of the four conductors' assignments results in a "very complex network of gears," according to Florian Helgath. Listening to it, one can only say: challenge passed.
With Karlheinz Stockhausen, Chorwerk Ruhr confronts Kagel with an antipode: at the same place of activity, Cologne, he wrote Carré. As the name suggests, the arrangement of four orchestras, conducted by four conductors, plays the decisive role here, each supplemented by a choral group. The extremely precise timing of the four conductors' assignments results in a "very complex network of gears," according to Florian Helgath. Listening to it, one can only say: challenge passed.
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