Mainerio:
Passamezzo & Saltarello
Ricercar Sesta
Il primo libro di ballli:
I. La Zanetta Padoana
II. Ungarescha
III. Tedescha
IV. Schiarazula Marazula
V. Ballo Milanese

Merulo:
Canzon a 4 dita „La Bovia"

Verdelot:
Con l'angelico riso

Parabosco:
Fantasia Da Pacem Domine

Bassano, G:
Ricercar Quarta
Fantasia No. 1
Ricercar Terza
Ricercar Quinta

Baldisserra Donato:
Chi la gagliarda

Bendusi:
Opera nova de balli:
I. Pass’e mezzo
II. Moschetta
III. Il stocco
IV. Incognita
V. Gioia

Caroso:
Barriera
Caroso:
Laura soave
Caroso:
Celeste Giglio

Giovanni Bassano, Cipriano de Rore:
Non e ch'il duol
Giovanni Bassano, Cipriano de Rore:
Io canterei d'amore

Canale:
Canzon La Stella

Rore:
Ancor che co'l partire

Willaert:
Io amai sempre

Venice - "the incomparable city, the most beautiful queen, this paradise" - is how the Englishman Thomas Coryat described the lagoon city that deeply impressed him on his trip to Europe in 1608. But alongside the architecture, the canals and the people from the most diverse cultures, it was above all the music that fascinated Coryat: "It was so beautiful, so charming, so unique, so admirable, so unsurpassable that it enchanted and amazed all strangers."

Inspired by his impressive descriptions, the Ensemble Feuervogel follows Coryat on his journey of discovery through the alleyways, squares and canals of the Serenissima: from the magnificent St. Mark's Church to the noble palazzi of the Venetian aristocracy and the elegant courtyards where music, dance and courtly art played a central role. The concert program Observations of Venice brings elaborate diminutions and madrigals into a dialogue with dance music, ricercars and canzonas. In this way, the Feuervogel ensemble revives the music of the Venetian cinquecento, which Coryat wrote was "so beautiful that I would be prepared to walk a hundred miles at any time to hear something similar".