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Epoka muzyczna: 20 wiek do 1960, współczesna
Obszar (język): angielski, angielski (Szkocja)
Rodzaj: pieśń
Epoka muzyczna: 20 wiek do 1960, współczesna
Obszar (język): angielski, angielski (Szkocja)
Rodzaj: pieśń
Macmillan / MacRae / Kenny: Set upon the Rood - new music for choir & ancient instruments
Delphian - DCD 34154
Kompozytor
James Macmillan (ur. 1959)
Stuart MacRae (1855-1927)
John Kenny (1957)
Bill Taylor, Francis Grier, Stevie Wishart, Stephen Bick
James Macmillan (ur. 1959)
Stuart MacRae (1855-1927)
John Kenny (1957)
Bill Taylor, Francis Grier, Stevie Wishart, Stephen Bick
Wykonawcy
Barnaby Brown, triplepipes, aulos
Biil Taylor, lyre
John & Patrick Kenny, chimes
Choir of Gonville & Caius College, Cambridge / Geoffrey Webber
Barnaby Brown, triplepipes, aulos
Biil Taylor, lyre
John & Patrick Kenny, chimes
Choir of Gonville & Caius College, Cambridge / Geoffrey Webber
Utwory na płycie:
James MacMillan:
Noli Pater
John Kenny:
The Deer’s Cry
Stuart MacRae:
Cantata
Bill Taylor:
Crux fidelis
Francis Grier:
Cantemus
Stevie Wishart:
Iste Confessor
Stephen Bick:
Set upon the Rood
Noli Pater
John Kenny:
The Deer’s Cry
Stuart MacRae:
Cantata
Bill Taylor:
Crux fidelis
Francis Grier:
Cantemus
Stevie Wishart:
Iste Confessor
Stephen Bick:
Set upon the Rood
Three years after the runaway success of In Praise of St Columba, its previous collaboration with piper Barnaby Brown, the ever-innovative Choir of Gonville & Caius College, Cambridge reunites with Brown – now also joined by lyre player Bill Taylor and ancient brass specialists John and Patrick Kenny. All four are members of the European Music Archaeology Project, whose own ongoing collaboration with Delphian has captivated listeners and reviewers with its glimpses of the sound of Europe’s ancient instruments. Here, those extraordinary sonorities blend with and emerge around the Caius singers’ committed contributions in seven richly conceived new pieces; a world premiere commission by Sir James MacMillan sets up the Celtic theme.