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dcd34161
Wydawnictwo: Delphian
Nr katalogowy: DCD 34161
Nośnik: 1 CD
Data wydania: luty 2015
EAN: 801918341618
54,00zł
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Epoka muzyczna: barok
Obszar (język): angielski

Purcell: Purcell’s Revenge: Sweeter than Roses?

Delphian - DCD 34161
Wykonawcy
Concerto Caledonia / David McGuinness
Nagrody i rekomendacje
 
Limelight ArkivMusic Best of
 
1. Moonlight on the Green by James Oswald/ Scotch Tune (Purcell, Amphitryon, Z572) [02:14]
2. There’s not a swain on the plain (Rule a Wife and Have a Wife, Z 587), arr. Olivia Chaney [04:21]
3. Rondeau (Abdelazer, Z570) [01:48]
4. An Evening Hymn, Z193, arr. Ana Silvera [03.56]
5. Fantazia in four parts, No. 11 in G, Z742 [02:59]
6. A New Scotch Tune, Z655:
Peggie I must love thee (Balcarres Lute Book) [02:12]
7. Sweeter than roses (Pausanias, Z585), arr. David McGuinness [03:25]
8. First Music:
Hornpipe (The Fairy Queen, Z629) [01:01]
9. Fairest isle (King Arthur, Z628) [03:44]
10. Old Sir Simon the King (The Division Violin - Second Part of Musick’s Hand-maid) [03:54]
11. Jigg (Second Part of Musick’s Hand-maid) [00:57]
12. One charming night (The Fairy Queen) [03:42]
13. Close thine eyes, Z184 [03:06]
14. Jigg (Abdelazer) [01:49]
15. Music for a while (Oedipus, Z583) [03:42]
16. Cassiopeia Olivia Chaney [04:11]
17. Halos Ana Silvera [03:43]
18. The Plaint (The Fairy Queen) [06:01]
19. What shall I do to show how much I love her (Dioclesian, Z627) and variations by James Oswald, Arr. David McGuinness [03:48]
20. Aminta one night had occasion to piss, Z430, arr. David McGuinness [02:22]
21. Hornpipe on a Ground (The Married Beau, Z603) [03:00]
Delving into the past is never a simple matter for David McGuinness and his indomitable early-music-meets-nu-folk group Concerto Caledonia. But the present venture, even more than most, eludes verbal description. The group return – in the company of some starry guest names – to the territory of their 2011 Britten tribute Revenge of the Folksingers, now engaging with music by Henry Purcell in a tapestry of arrangements and creative responses which is never less than surprising. Variations by eighteenth-century Scot James Oswald rub shoulders with the Purcell tunes they are based on, while original songs by Olivia Chaney and Ana Silvera and some literally ‘electrifying’ instrumental contributions add to the general air of expectations confounded!

Zobacz także:

  • ACD 22726
  • WH 0083
  • RCD 1017
  • EVOE 006
  • LWC 1120
  • ADX 13715
  • BRIDG 9490
  • ALC 1358
  • PACD 96063
  • CDA 68229