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Wydawnictwo: Encelade
Nr katalogowy: ECL 1702
Nośnik: 1 CD
Data wydania: maj 2018
EAN: 3770008056138
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Epoka muzyczna: barok
Obszar (język): francuski
Instrumenty: klawesyn

Dandrieu: Character Pieces

Encelade - ECL 1702
Marouan Mankar-Bennis, harpsichord
Frist Act
Second Act
Third Act
Fourth Act
Fifth Act
Le Tympanon
The idea of an opera for the harpsichord gradually came to me as I was thinking about this amazing anecdote, guiding me in the choice and arrangement of the pieces on this recording. The shade of “the incomparable” Jean-Baptiste Lully (1632-1687), the great tragédie lyrique craftsman, seems to float over many of the pieces that Jean-François Dandrieu (1682-1738) wrote for the instrument. The emphasis he places on major dance movements such as La Naturele and La Figurée, his inclination towards descriptive and programmatic pieces and, of course, the frequent evocation of mythological figures, all confirm this allusion to the drama that he so admired.

Marouan Mankar–Bennis

In France, Jean-François Dandrieu’s harpsichord works offer one of the richest treasure troves for the instrument. For his first solo recording, the harpsichordist Marouan Mankar-Bennis has dreamt up an operatic tragedy through a selection of his Character Pieces offering both intimacy and many marvels. This is because it was as a poet that Dandrieu cultivated the art of evocation using a subtle combination of touch, timbres and registrations, turning the harpsichord into a new “Lyre of Orpheus”.

Played on Clavecin flamand d’apres Joannes Couchet (milieu XVIIeme siecle) par Andreas Linos et Jean-François Brun, 2014 [1-17]; Clavecin français d’apres un modele du XVIIIeme siecle par Ryo Yoshida, 1989. [18-24]

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