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ecl1901
Wydawnictwo: Encelade
Nr katalogowy: ECL 1901
Nośnik: 1 CD
Data wydania: czerwiec 2020
EAN: 3770008056176
56,00zł
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Instrumenty: klawesyn
Rodzaj: preludia, fantazja

Blancrocher - L'Offrande

Encelade - ECL 1901
Kompozytor

Louis Couperin, François Dufaut, Johann Jakob Froberger, Denis Gaultier, Charles Fleury sieur de Blancrocher
Wykonawcy
Pierre Gallon, harpsichord
Nagrody i rekomendacje
 
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Utwory na płycie:
Prélude en ré (Louis Couperin)
Tombeau de Mr Blanrocher (François Dufaut)
Courante (François Dufaut)
Sarabande & Double (François Dufaut)
Gigue (François Dufaut)
Gavotte (François Dufaut)
Tombeau fait a Paris sur la mort de Monsieur Blancheroche, FbWV 632 (Johann Jakob Froberger)
Fantaisie (Louis Couperin)
Tocade (Johann Jakob Froberger)
Fantasia (Johann Jakob Froberger)
Lais larmes de Gauttier ou Le Tombeau de Blanrocher (Denis Gaultier)
Prélude a l'imitation de Mr Froberger (Louis Couperin)
Allemande faite a Paris (Johann Jakob Froberger)
Courante (Johann Jakob Froberger)
Sarabanda (Johann Jakob Froberger)
Gigue (Johann Jakob Froberger)
Prélude (Denis Gaultier)
Sarabande (Denis Gaultier)
Fantaisies (Denis Gaultier)
Gigue (Denis Gaultier)
Prélude en fa (Louis Couperin)
Allemande grave (Louis Couperin)
Courante (Louis Couperin)
Tombeau de Mr de Blancrocher (Louis Couperin)
L'Offrande, allemande de Blanrocher (Charles Fleury sieur de Blancrocher)
The programme for Pierre Gallon’s new record enjoys the high patronage of a gentleman who was famous in Parisian musical circles in the first half of the 17th century, a certain Charles Fleury Sieur de Blancrocher (1605-1652). Although he was much admired as a lutenist in his own time, he never took the instrument up professionally.

We know relatively little about his life - merely that he became friends with the harpsichordist Johann Jacob Froberger (1616-1667)… and then that he died in rather comical circumstances, falling down his own stairs in the aforesaid Mr Froberger’s presence. Finally, he has left us a single piece, for the lute - “L’Offrande” (The Offering), which is to be found in two major sources from the period.

When Blancrocher died no fewer than four composers each wrote a “tombeau” - a tribute piece - in memory of the lutenist. Froberger and Louis Couperin’s pieces were written for the harpsichord, whereas Dufaut and Denis Gaultier’s were for the lute. Although fairly different, all four are wonderful; indeed each of them is a major piece in its composer’s body of work, so the idea is to bring these four tombeaux together on record for the first time. They are the four cornerstones upon which the programme as a whole rests, and then laid out around them there will be various other pieces which are formally more conventional (preludes, dance suites, fantasias, etc.) composed by the same four composers in Paris in the 1650s.

Although Couperin and Froberger both composed for the harpsichord, Gaultier and Dufaut were both lutenists, and so Pierre Gallon has transcribed their pieces on the record for the harpsichord, as people might have done at the time. Finally, the programme comes full circle by - quite literally - inviting Mr de Blancrocher to attend his own tribute, as the lutenist Diego Salamanca (Correspondances, Pygmalion, Les Arts Florissants, etc.) performs Blancrocher’s Allemande.

Zobacz także:

  • HC 19024
  • SIGCD 595
  • PTC 5186869
  • CHR 77449
  • AN 29172
  • CDA 68290
  • KTC 1674
  • AG 0015
  • AN 28909
  • HC 19082