Utwory na płycie:

• Sonate für Violoncello solo - 1. Dialog
• Sonate für Violoncello solo - 2. Monolog
• Sonate für Violoncello solo - 3. Epilog
• Fantasie-Variationen für Violoncello solo - 1. Pensive
• Fantasie-Variationen für Violoncello solo - 2. Casual
• Fantasie-Variationen für Violoncello solo - 3. With increasing excitement
• Fantasie-Variationen für Violoncello solo - 4. Dreamy
• Sonate für Violoncello solo, Op. 60 - 1. Grave
• Sonate für Violoncello solo, Op. 60 - 2. Allegro moderato
• Sonate für Violoncello solo, Op. 60 - 3. Mosso
• Sonate für Violoncello solo, Op. 60 - 4. Molto adagio
• Sonate für Violoncello solo, Op. 60 - 5. Allegro non troppo
• To the Memory of Friedrich Schiller, Op. 31 (Partita) - 1. Lento
• To the Memory of Friedrich Schiller, Op. 31 (Partita) - 2. Vivo
• To the Memory of Friedrich Schiller, Op. 31 (Partita) - 3. Adagio
• To the Memory of Friedrich Schiller, Op. 31 (Partita) - 4. Allegretto
• To the Memory of Friedrich Schiller, Op. 31 (Partita) - 5. Allegro moderato
• Puneña für Violoncello solo No. 2, Op. 45 (Hommage an Paul Sacher) - 1. Harawi
• Puneña für Violoncello solo No. 2, Op. 45 (Hommage an Paul Sacher) - 2. Wayno Karnavalito

Sándor Veress:
Sonata per violoncello solo

Ursula Mamlok:
Fantasy Variations for cello solo

Marcel Mihalovici:
Sonate pour violoncelle seul, Op. 60

Ahmet Adnan Saygun:
Partita “To the Memory of Friedrich Schiller”, Op. 31

Alberto Ginastera:
Punena No 2 “Hommage a Paul Sacher” pour violoncelle seul, Op. 45

Crossroads – Crossroads where people meet. Crossroads at which composers were compelled to leave their personal, family, and linguistic homes. In the second half of the last century, these musicians experienced flight, expulsion, and exile, and fortunately found their “home” in their music and in their artistic environment. The works for violoncello recorded here describe a journey through various worlds, at the end of which one is probably certain to have arrived at home again – but enriched by insights into the interstices in which different musical cultures suddenly grow together – and possibly with a different feeling for the term “home.” During the past centuries, the violoncello as a solo instrument has increasingly been entrusted with virtuoso works of strong character. This instrument, like no other, can sing of the different emotional states, describe landscapes, lament hardships, and extend an invitation to dance. The works brought together on this CD bear witness to this.

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Recording: Emil Berliner Studios, Berlin, 26/29.05.2020 (Veress, Mamlok), 20/21.07.2020 (Saygun, Ginastera), 26/27.11.2020 (Mihalovici).