Utwory na płycie:

• Missa de Beata Virgine, for five parts: Kyrie
• Missa de Beata Virgine, for five parts: Gloria
• Missa de Beata Virgine, for five parts: Credo
• Missa de Beata Virgine, for five parts: Sanctus & Benedictus
• Missa de Beata Virgine, for five parts: Agnus Dei 1, 2 & 3
• Credo "De tous biens playne", for 4 parts
• Ave Maris Stella, hymn
• Missa "Ave Maris Stella", for 4 parts: Kyrie
• Missa "Ave Maris Stella", for 4 parts: Gloria
• Missa "Ave Maris Stella", for 4 parts: Credo
• Missa "Ave Maris Stella", for 4 parts: Sanctus & Benedictus
• Missa "Ave Maris Stella", for 4 parts: Agnus Dei 1, 2 & 3

Josquin des Prés (c1440–1521) Missa De beata virgine 38.03

1. Kyrie 4.25
2. Gloria 9.53
3. Credo 9.09
4. Sanctus & Benedictus 7.47
5. Agnus Dei I, II & III 6.49
6. Credo quarti toni Cambrai Credo 9.23
7. Plainchant Ave maris stella verse 1 0.36

Missa Ave maris stella 27.56

8. Kyrie 2.49
9. Gloria 5.06
10. Credo 7.06
11. Sanctus & Benedictus 7.54
12. Agnus Dei I, II & III 5.01

These two canonic Masses show Josquin experimenting with textures, motifs, mathematical constructs and anything else that took his fancy. The Missa De beata virgine seems to have been the most performed Mass in the entire early Renaissance period – ironically since it poses unusual problems for modern performers. The Missa Ave maris stella is less known but clearer and more concise – ideal for chamber choirs today.” Peter Phillips