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Wydawnictwo: Haenssler
Nr katalogowy: HC 18085
Nośnik: 2 CD
Data wydania: październik 2018
EAN: 881488180855
na zamówienie
Nasze kategorie wyszukiwania

Epoka muzyczna: 20 wiek do 1960
Obszar (język): francuski
Instrumenty: fortepian
Rodzaj: preludia

Debussy: Preludes

Haenssler - HC 18085
Eloise Bella Kohn, piano
Nagrody i rekomendacje
Echo Klassik MusicWeb Recording of the Month
CD 1:
Danseuses de Delphes
Le vent dans la plaine
“Les sons et les parfums tournent dans l'air du soir”
Les collines d'Anacapri
Des pas sur la neige
Ce qu'a vu le vent d'ouest
La fille aux cheveux de lin
La sérénade interrompue
La cathédrale engloutie
La danse de Puck

CD 2:
Feuilles mortes
La puerta del Vino
Les fées sont d'exquises danseuses
Général Lavine – eccentric
La terrasse des audiences du clair de lune
Hommage a S. Pickwick
Les tierces alternées
Feux d'artifice
“…Incidentally, I am more and more convinced that, in essence, music is not something that could be poured into a strict, traditional form. It consists of colours and time expressed in rhythm…” (Claude Debussy, September 3, 1907 – in a letter to his publisher Jacques Durand.)

These words essentially summarise a whole movement – the movement of musical Impressionism. Claude Achille Debussy (1862-1918) is responsible for the fact that the newer French piano music of his time came to be highly regarded.

Both of the books of Preludes by Claude Debussy are an expression of this art of impression and perception. The composer wrote the first book, “Préludes. Premier livre”, between December 1909 and February 1910. The second, “Préludes. Deuxieme livre”, was compiled between 1910 and 1912. Both volumes were published by Durand. In total, there are 24 compositions with which Debussy continued, composed between 1836 and 1839.

Eloise Bella Kohn was born in Paris in 1991 and started her musical education at the Yamaha music school at the age of four. She entered the National Superior Conservatory of Paris for Music and Dance (CNSM) and studied with Michel Béroff, Eric Le Sage, Denis Pascal, David Fray and Pierre-Laurent Aimard.

Recording: 11-15 September 2017, Temple du Bon-Secours in Paris

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