Meyerbeer:
Komm
Meeresstille
Suleika

Loewe, C:
Mein Ruh ist hin, Op. 9 No. 2
Die verliebte Schäferin, Op. 9 No. 3
Die Schneeflocke, Op. 63 No. 1
Ihr Spaziergang, Op. 9 No. 4

Mendelssohn:
Hexenlied, Op. 8 No. 8
Suleika, Op. 57 No. 3
Suleika, Op. 34 No. 4
Die Nonne, Op. 9 No. 12

Schumann:
Liebeslied, Op. 51 No. 5
Aufträge Op. 77 No. 5
Viel Glück zur Reise, Schwalben!, Op. 104 No. 2
Die letzten Blumen starben, Op. 104 No. 6
Aus den östlichen Rosen, Op. 25 No. 25
Singet nicht in Trauertönen, Op. 98a

Mayer, E:
Du bist wie eine Blume, Op. 7 No. 1
Das Schlüsselloch im Herzen

Allitsen:
Katherine
Mag da draußen Schnee sich thürmen
Die Botschaft

It is only natural that the spirit of the Romantic era should embrace, envelop and encircle the male and female composers and lyricists on this album in their depiction of wistful longing – the omnipresent theme of the era. But this is not the only point of reference behind this concept. The deeper one delves into the life stories and works of these artists, the more complex and far-reaching the network of associations proves to be. “In Relation” is an invitation to plunge into the associative field of 19th-century words and music and it shows that the connexions between the two arts and their male and female practitioners were more extensive than one might imagine.