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Wydawnictwo: Etcetera
Seria: Dutch Composers
Nr katalogowy: KTC 1435
Nośnik: 8 CD+1DVD
Data wydania: październik 2012
EAN: 8711801014357
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Epoka muzyczna: 20 wiek do 1960
Obszar (język): holenderski

Diepenbrock: Diepenbrock’s 150th anniversary box

Etcetera - KTC 1435
Annette de la Bije, Arleen Augér, Benedict Silbermann, Bernard Bartelink, Bernard Haitink, Bernard Kruysen, Celso Antunes, Christa Pfeiler, Christoph Hombert, Christoph Prégardien, Claron McFadden, Dalton Baldwin, Danzi Kwintet, David Kuyken, Denis Yilmaz, Ed Spanjaard, Eduard van Beinum, Elisabeth Lugt, Elly Ameling, Emmy Verhey, Eva-Maria Westbroek, Gents of the Netherlands Radio Choir Hans van den Homberg, Hans Vonk, Hartmuth Haenchen, Janet Baker, Jard van Nes Klaas Stok, Leo van Doeselaar, Linda Finnie, Lode Devos, Marc Versteeg, Maurits van den Berg, Nederlands Kamerkoor, Netherlands Radio Choir, Netherlands Radio Philharmonic Orchestra, Quink Vocaal Ensemble, Radio Symphony Orchestra, Renee Defraiteur, Residentie Orchestra The Hague, Riccardo Chailly, Richte van der Meer, Robbert Overpelt, Robert Holl, Roberta Alexander, Royal Concertgebouw Orchestra Rudolf Jansen, Toonkunstkoor Amsterdam, Uwe Gronostay, Vocaal Ensemble Markant, Willem van Otterloo
Nagrody i rekomendacje
Diapason 5
Stage Works and Orchestral Works
Marsyas Concert Suite - Overture De Vogels (The Birds) - Elektra Symphonic Suite -
Hymn for Violin and Orchestra
Symphonic Songs
Die Nacht - Hymne an die nacht Muss immer der Morgen - Hymne an die Nacht
Gehoben ist der Stein -Im grossen Schweigen
Orchestrated Songs
Wenige wissen das Geheimniss der Liebe - Lied der Spinnerin - Der Abend - Hinüber
wall’ ich - Puisque l’aube grandit –Recueillement - Les chats - Avondzang - Zij sluimert -
Ik ben in eenzaamheid niet meer alleen - Ecoutez la chanson bien douce - Berceuse
Works for Soloist, Choir and Orchestra
Missa in die festo:
Kyrie and Gloria - Reyzangen from Gysbrecht van Aemstel - Hymn to
Rembrandt - Te Deum laudamus
CD V & VI:
Works for Choir a Cappella
Missa in die festo
Missa in die festo
The year 2012 marks the one hundred and fiftieth anniversary of Alphons Diepenbrock’s birth in Amsterdam and the one hundredth anniversary of his acclamation as the most important Dutch composer since Jan Pieterszoon Sweelinck during the second Nederlandse Muziekfeest.

The greater part of Diepenbrock’s music is composed for voices. Of his almost one hundred separate compositions, there are less than five that use neither the human voice nor a written text. A text was so essential to the full musical effect of Diepenbrock’s music that it is hardly possible to imagine that someone could understand his works well without an equal understanding of the texts that he used. These texts were never chosen at random nor easily; they influenced and defined not only the general atmosphere of a song but also the significance of every modulation and every subconscious thought, for they defined the musical unity of the piece just as much as each separate musical phrase or its musical explanation.

Gustav Mahler had visited his colleague and friend Alphons Diepenbrock in Amsterdam in 1906 and remarked about Diepenbrock’s songs that “Sie sind mir alle sehr lieb.” Diepenbrock had indeed developed from a classics scholar into a successful Lied composer between 1900 and 1910; his songs for voice and piano found their way into concert halls throughout the Netherlands thanks to the support of a growing multitude of prominent singers. The husband and wife duo of Marie Versteegh and Gerard Zalsman performed them in concert halls as far afield as Shanghai, Tokyo and Chicago. What is more, Diepenbrock’s songs for voice and orchestra also developed a genre that was practically unknown at that time; the majority of Mahler’s songs for voice and orchestra are essentially songs for voice and piano with the accompaniment transcribed for orchestra, whilst Mahler’s Das Lied von der Erde was composed after Diepenbrock’s great orchestral songs.

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