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ktc1502
Wydawnictwo: Etcetera
Seria: Schubert Works for Hands
Nr katalogowy: KTC 1502
Nośnik: 1 CD
Data wydania: listopad 2015
EAN: 871180115026
60,00zł
na zamówienie
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Epoka muzyczna: romantyzm
Obszar (język): niemiecki
Instrumenty: pianoforte
Rodzaj: rondo, wariacje, fantazja

Schubert: Works for Four Hands Vol. 2

Etcetera - KTC 1502
Wykonawcy
Jan Vermeulen & Veerle Peeters, fortepiano trondlin
Divertissement über französische Motive in E minor D823
Rondo in A major D951
Variationen über ein Originalthema mit einer Einleitung in B flat major D603
Fantasie in F minor D940
Jan Vermeulen’s series of twelve CDs of the complete works of Schubert for piano solo was greeted with praise by the Belgian and the international music press. He was named Musician of the Year in Flanders on the occasion of the completion of the cycle in 2010 and also carried off one of the coveted Klara awards; several internation- al music magazines described him at the time as an ide- al interpreter of Schubert’s music It was only to be expected that a recording of Schubert’s works for piano duet would soon follow. The search for a suitable duet partner did not cause Vermeulen too many headaches: Veerle Peeters has known Jan Vermeulen for some fifteen years, first as a star pupil of his at the Lem- mens Institute in Leuven, then as a partner for recitals of music for piano duet, and then as artistic director for all .of his Schubert recordings up until the present day Veerle Peeters made her name as the founder of the Frescamente ensemble, which swiftly won prizes in the Almere International Chamber Music Competition in .the Netherlands and in the Belgian Gouden Vleugels She confirmed her reputation with an internationally praised CD of the piano works of the early 20th century .French woman composer Mel Bonis The piano duet is one of the most sensitive and ex- posed forms of chamber music, as it demands an ideal unity of touch, timing, emotion and interpretation. Ver- meulen and Peeters have explored and developed their approach to Schubert over their many years of record- ing his works. Their love for Schubert’s sublime music has only increased with the passage of time; their ideas for the interpretation of his music have naturally and inevitably grown together and deepened over the same .period

fortepiano trondlin

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