Utwory na płycie:

• Première Lamentation Du Mercredi Saint A Minor - Incipit lamentatio
• Première Lamentation Du Mercredi Saint A Minor - Beth. Plorans ploravit
• Première Lamentation Du Mercredi Saint A Minor - Ghimel. Migravit Judas
• Première Lamentation Du Mercredi Saint A Minor - Daleth. Viae Sion lugent
• Première Lamentation Du Mercredi Saint A Minor - He. Facti sunt hostes
• Première Lamentation Du Mercredi Saint A Minor - Parvuli ejus
• Seconde Leçon Du Jeudi Saint C Minor - Lamed. Matribus suis
• Seconde Leçon Du Jeudi Saint C Minor - Mem. Cui comparabo te
• Seconde Leçon Du Jeudi Saint C Minor - Prophetae tui viderunt tibi
• Seconde Leçon Du Jeudi Saint C Minor - Samech
• Seconde Leçon Du Jeudi Saint C Minor Plauserunt super te
• Sonate In C Major For Recorder And Basso Continuo - Adagio
• Sonate In C Major For Recorder And Basso Continuo - Presto
• Sonate In C Major For Recorder And Basso Continuo - Adagio
• Sonate In C Major For Recorder And Basso Continuo - Presto
• Deuxième Leçon Du Mercredi Saint E Minor - Vau. Et egressus est
• Deuxième Leçon Du Mercredi Saint E Minor - Teth. Sordes ejus
• Première Lamentation Du Jeudi Saint G Minor - De lamentatione
• Première Lamentation Du Jeudi Saint G Minor - Defixae sunt in terra
• Première Lamentation Du Jeudi Saint G Minor - Defecrunt prae lacrimis
• Sonata In G Minor For Recorder And Basso Continuo - Grave
• Sonata In G Minor For Recorder And Basso Continuo - Vivace-Largo
• Sonata In G Minor For Recorder And Basso Continuo - Allegro
• Deuxième Leçon Pour Le Vendrdi Saint B Flat Major - Aleph. Quomodo obscuratum
• Deuxième Leçon Pour Le Vendrdi Saint B Flat Major - Beth. Filii Sion inclyti
• Deuxième Leçon Pour Le Vendrdi Saint B Flat Major - Sed et lamiae
• Deuxième Leçon Pour Le Vendrdi Saint B Flat Major - Daleth
• Deuxième Leçon Pour Le Vendrdi Saint B Flat Major Adhaesit lingua lactentis
• Deuxième Leçon Pour Le Vendrdi Saint B Flat Major - He. Qui vescebantur voluptuose
• Deuxième Leçon Pour Le Vendrdi Saint B Flat Major - Et major effecta est
• Track 31

Joseph-Hector Fiocco:
Premiere lamentation du Mercredi saint
Seconde leçon du Jeudi saint
Deuxieme leçon du Mercredi saint
Premiere lamentation du Jeudi saint
Deuxieme leçon pour le Vendredi saint

Pietro Antonio Fiocco:
Sonata in C major for recorder and basso continuo
Sonata in g minor for recorder and basso continuo

In the period following the brilliant blossoming of polyphonic art in the 15th and 16th centuries, the Low Countries were relegated to little more than a musical province of Italy and France. Starting from ca. 1600, the Low Countries ceased to play the leading role on the western European musical scene: from this moment on, composers from other countries would dictate the leading fashions of the day, the innovative tendencies of which gradually permeated the musical life of the region. Among the most remarkable of these innovations was ‘accompanied monody’: polyphony’s complex interplay of independent yet intertwined voices gave way to the domination of one single voice, supported by an instrumental bass part, the ‘basso continuo’. This bass part was often performed by several instruments, including those which could play chords such as the lute, harpsichord or organ and others such as the viola da gamba, cello or bassoon which carried the melody.