
Wydawnictwo: Etcetera
Nr katalogowy: KTC 1626
Nośnik: 1 CD
Data wydania: wrzesień 2018
EAN: 8711801016269
Nr katalogowy: KTC 1626
Nośnik: 1 CD
Data wydania: wrzesień 2018
EAN: 8711801016269
Nasze kategorie wyszukiwania
Epoka muzyczna: współczesna
Obszar (język): rosyjski
Instrumenty: wiolonczela, fortepian
Rodzaj: sonata, madrygał
Epoka muzyczna: współczesna
Obszar (język): rosyjski
Instrumenty: wiolonczela, fortepian
Rodzaj: sonata, madrygał
Schnittke: Sonatas for Cello & Piano
Etcetera - KTC 1626
Kompozytor
Alfred Schnittke (1934-1998)
Alfred Schnittke (1934-1998)
Wykonawcy
Viviane Spanoghe, cello
Jan Michiels, piano
Viviane Spanoghe, cello
Jan Michiels, piano
Utwory na płycie:
Sonate für Violoncello und Klavier Nr. 1 - 1. Largo
Sonate für Violoncello und Klavier Nr. 1 - 2. Presto
Sonate für Violoncello und Klavier Nr. 1 - 3. Largo
Klingende Buchstaben
Madrigal in memoriam Oleg Kagan (1990)
Improvisation für Violoncello solo
Sonate für Violoncello und Klavier (Nr. 2) - 1. Senza tempo
Sonate für Violoncello und Klavier (Nr. 2) - 2. Allegro
Sonate für Violoncello und Klavier (Nr. 2) - 3. Largo
Sonate für Violoncello und Klavier (Nr. 2) - 4. Allegro
Sonate für Violoncello und Klavier (Nr. 2) - 5. Lento
Sonata for cello and piano
Klingende Buchstaben
Madrigal in memoriam Oleg Kagan
Improvisation for cello solo
Sonata No.2 for cello and piano
Klingende Buchstaben
Madrigal in memoriam Oleg Kagan
Improvisation for cello solo
Sonata No.2 for cello and piano
Alfred Schnittke was born in the city of Engels, at that time the capital city of the autonomous Volga Republic in the Soviet Union. His family had German, Russian, Jewish and Catholic roots and he spent part of his early childhood in Vienna. The greatest part of his life was spent in Russia, where as a child he had participated in historical events of international importance that marked him deeply. He settled finally in Hamburg in 1990.
Heavily influenced by Mahler, Berg, and Shostakovich (his teacher) amongst others, Schnittke often also quoted from composers such as Lassus, Bach, and Mozart, making connections with forms from the past such as the concerto grosso, the waltz and the passacaglia; he employed a mix of styles and techniques, including Russian Orthodox, folk music, Russian nationalist music, contemporary, tonal, atonal, and microtonal, in order to bridge the gap between the present and the past in works with a spiritual, ironic or expressionist slant.
Although he was a controversial and much criticised figure he was boycotted by the Union of Soviet Composers Schnittke was defended by such great musicians as Gennadi Rozhdestvenky, Gidon Kremer, Oleg Kagan, Yuri Bashmet, Mstislav Rostropovich, Alexander Ivashkin, Natalia Gutman and the Borodin Quartet, who performed his works in Russia and abroad.
Heavily influenced by Mahler, Berg, and Shostakovich (his teacher) amongst others, Schnittke often also quoted from composers such as Lassus, Bach, and Mozart, making connections with forms from the past such as the concerto grosso, the waltz and the passacaglia; he employed a mix of styles and techniques, including Russian Orthodox, folk music, Russian nationalist music, contemporary, tonal, atonal, and microtonal, in order to bridge the gap between the present and the past in works with a spiritual, ironic or expressionist slant.
Although he was a controversial and much criticised figure he was boycotted by the Union of Soviet Composers Schnittke was defended by such great musicians as Gennadi Rozhdestvenky, Gidon Kremer, Oleg Kagan, Yuri Bashmet, Mstislav Rostropovich, Alexander Ivashkin, Natalia Gutman and the Borodin Quartet, who performed his works in Russia and abroad.