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ktc1631
Wydawnictwo: Etcetera
Nr katalogowy: KTC 1631
Nośnik: 1 CD
Data wydania: listopad 2018
EAN: 8711801016313
54,00zł
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Epoka muzyczna: romantyzm
Obszar (język): węgierski
Instrumenty: fortepian

Liszt: Reflections

Etcetera - KTC 1631
Wykonawcy
Liebrecht Vanbeckevoort, piano
Années de Pelerinage - 2ieme année (Italie):
Sonetto 104 del Petrarca
Three song transcriptions:
Widmung (Schumann)
Liebestraum (Liszt Notturno no. 3)
Ständchen (Schubert)
Harmonies poétiques et religieuses - Bénédiction de Dieu dans la solitude
Années de Pelerinage - 2ieme année (Italie) - Venezia e Napoli:
Gondoliera
Canzone
Tarantella
REFLECTION

I first heard of Chris Maene’s promising project in 2013. Daniel Barenboim, the internationally renowned pianist and conductor, had commissioned Maene to construct a modern instrument that possessed the characteristics of the instruments that had given voice to the innermost feelings of Beethoven, Chopin and Liszt during the 18th and 19th centuries. There was probably no better person than Chris Maene to bring this challenging project to fruition. For me it was an immense privilege to not only be able to monitor the development of the instrument at close quarters over the last years, but also to present this unique Belgian creation at the World Exposition of Milan of 2015 and to give several concerts on this great instrument in the Belgian Pavilion.

For me, the Chris Maene Straight Strung Concert Grand brings together the best of two worlds: it combines the sounds of the pianos and fortepianos of the 18th and 19th centuries with the possibilities of the modern piano: a perfectly regulated keyboard, balanced registers and a powerful sound.

The recording of this CD was an enthralling artistic process. The Chris Maene Straight Strung Concert Grand, with its warm and seemingly bottomless depths, its transparent middle range and its clear and pearly upper register, grants a wonderfully clear and pure experience in sound.

This piano gave me continual insight into the many facts of piano playing, thanks to the countless moments of reflection, consideration and introspection that it inspired: moments of genuine and purifying reflection.

There can be no musical expression without a performer, no performer without a composer, no composer without an instrument, no instrument without its builder, no builder without an inner compulsion towards musical expression.

With gratitude and in recognition of so much craftsmanship, Liebrecht Vanbeckevoort

Zobacz także:

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  • AUDITE 97764
  • ONYX 4195
  • COR 16169
  • C 956181
  • DCD 34214
  • KTC 1653
  • GEN 18626
  • RCD 1015
  • KGS 0034