
Wydawnictwo: Etcetera
Nr katalogowy: KTC 1832
Nośnik: 1 CD
Data wydania: październik 2024
EAN: 8711801018324
Nr katalogowy: KTC 1832
Nośnik: 1 CD
Data wydania: październik 2024
EAN: 8711801018324
Schubert / Mertz / Carulli: Au Salon
Etcetera - KTC 1832
Kompozytor
Franz Schubert (1797-1828)
Johann Kaspar Mertz (1806-1856)
Ferdinando Carulli (1770-1841)
Josephine Plantin, Fernando Sor
Franz Schubert (1797-1828)
Johann Kaspar Mertz (1806-1856)
Ferdinando Carulli (1770-1841)
Josephine Plantin, Fernando Sor
Wykonawcy
Franches Dhont, soprano
Emma Wills, romantic guitar
Thomas Boodts, fortepiano
Franches Dhont, soprano
Emma Wills, romantic guitar
Thomas Boodts, fortepiano
FRANZ SCHUBERT:
Iphigenia, Op. 98 No. 3, D.573
Dass sie hier gewesen, Op. 59 No. 2, D.775
Sonata for Arpeggione and Fortepiano in A minor, D.821:
Allegro moderato
Adagio
Allegretto
JOHANN KASPAR MERTZ & JOSEPHINE PLANTIN:
Barcarole, Op. 41
FERDINANDO CARULLI:
Grand Duo in E minor, Op. 86:
Allegro
Largo
Allegro
FERNANDO SOR:
Valse du ballet de Cendrillon
Mon dernier mot
Iphigenia, Op. 98 No. 3, D.573
Dass sie hier gewesen, Op. 59 No. 2, D.775
Sonata for Arpeggione and Fortepiano in A minor, D.821:
Allegro moderato
Adagio
Allegretto
JOHANN KASPAR MERTZ & JOSEPHINE PLANTIN:
Barcarole, Op. 41
FERDINANDO CARULLI:
Grand Duo in E minor, Op. 86:
Allegro
Largo
Allegro
FERNANDO SOR:
Valse du ballet de Cendrillon
Mon dernier mot
The programme of this album is particularly diverse, with songs accompanied by the Romantic guitar or fortepiano alternating with instrumental works and entirely in the spirit of 19th-century concerts. Most of the repertoire here is performed on the instruments that the composer specified, although the central work on this recording is an arrangement of Schubert’s sonata for arpeggione and fortepiano. Schubert composed the sonata in 1824, most probably for the arpeggione virtuoso Vincenz Schuster. The arpeggione was a cross between the cello and the guitar that had been developed barely a year earlier; its popularity did not last, with the result that Schubert’s sonata became generally known in arrangements for another solo instrument. Emma Wills and Thomas Boodts have made their own arrangement for this recording. About Museum Vleeshuis, Sound of the City Museum Vleeshuis collects, preserves, researches, and makes accessible musical instruments, stories, craftership and traditions from 500 years of musical life in Antwerp and Flanders. Together with numerous partners, the museum brings its collection to life in concerts and other activities, in the monument Vleeshuis and beyond. The museum inspires people to listen and look, to make music, to compose and to build. In this way, Museum Vleeshuis enriches the perspective of everyone who loves music, and it passes on the material and living music heritage to future generations. About the album series “Sounds of the city” In the album series “Sounds of the city”, Museum Vleeshuis releases recordings inspired by the musical life in Antwerp throughout the centuries. The first album in this series was Ruckers me fecit Antverpiae, with music for Antwerp harpsichords and virginals, performed by Mario Sarrechia, Lieselot De Wilde and Justin Glaie.