CD I:
1. Wachet auf, ruft uns die Stimme, BWV 645

04:30
2. Wo soll ich fliehen hin, BWV 646

01:59
3. Wer nur den lieben Gott lässt walten, BWV 647

04:30
4. Meine Seele er hebt den Herren, BWV 648

02:35
5. Ach bleib bei uns, Herr Jesu Christ, BWV 649

02:42
6. Kommst du nun, Jesu, vom Himmel herunter auf Erden, BWV 650

03:24
7. Komm, Heiliger Geist, BWV 651

06:39
8. Komm, Heiliger Geist, BWV 652

10:24
9. An Wasserflüssen Babylon, BWV 653

04:44
10. Schmücke dich, o liebe Seele, BWV 654 /07:21
11. Herr Jesu Christ, dich zu uns wend, BWV 655

03:56
12. O Lamm Gottes, unschuldig, BWV 656

08:25
13. Nun danket alle Gott, BWV 657

04:24
14. Von Gott will ich nicht lassen, BWV 658

04:49

CD II:
1. Nun komm’ der Heiden Heiland, BWV 659

04:47
2. Nun ko mm’ der Heiden Heiland, BWV 660

02:52
3. Nun ko mm’ der Heiden Heiland, BWV 661

02:59
4. Allein Gott in der Höh’ sei Ehr, BWV 662

08:05
5. Allein Gott in der Höh’ sei Ehr, BWV 663

06:40
6. Allein Gott in der Höh’ sei Ehr, BWV 664

05:30
7. Jesus Christus, unser Heiland, BWV 665

04:39
8. Jesus Christus, unser Heiland, BWV 666

03:34
9. Komm, Gott, Schöpfer, Heiliger Geist, BWV 667

02:25
10. Vor deinen Thron tret ’ ich hier mit, BWV 668

05:02
Von Himmel hoch, da komm ich her, BWV 769
11. Variatio I

01:37
12. Variatio II

01:29
13. Variatio III

02:47
14. Variatio IV

03:54
15. Variatio V

03:53

CATHEDRAL ORGANIST KARE NORDSTOGA – CHORALE PRELUDES ON A BAROQUE ORGAN The fifth and sixth album in this series featuring Bach’s complete organ works were recorded in St. Martin’s Church in Groningen, on an organ representing the most noble qualities of the Baroque sound. The construction of the instrument is usually attributed to the well-known organ builder of the late 1600s, Arp Schnitger, although some stops date back to 1450.

Both discs are devoted to Bach’s chorale prelude adaptations, which, owing to the organ’s vocal timbre, distinctive temperament, and clear lines, are heard to good advantage. Here we find the eighteen Leipzig Chorale Preludes, which Bach wrote while serving as court organist in Weimar, but which he collected and adapted toward the end of his life. The six Schübler Chorale Preludes are adaptations for solo organ of movements from Bach’s own cantatas. They bear the name of the music publisher. Finally, in his Canonic Variations on the Christmas hymn “From Heaven Above to Earth I Come”, Bach seems to wish to demonstrate how much elaborate polyphony can be drawn out of a simple Christmas hymn in C-major.

Kare Nordstoga (b. 1954) studied at the Norwegian Academy of Music, where he was appointed professor in 1994. Since 1984 he has been organist of Oslo Cathedral. Here Nordstoga frequently performs a large repertoire, which has included two popular concert series with Bach’s complete organ works.

Nordstoga is an active concert organist. In recent years he has been soloist with the symphony orchestras of Oslo, Bergen, and Trondheim, and he has played at international organ festivals in Aarhus, Paris, and Tokyo, among others. In 2006 he was awarded the Lindeman Prize for his active contribution to musical life.

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SACD Surround 5.0