
Wydawnictwo: Lawo Classics
Nr katalogowy: LWC 1120
Nośnik: 1 CD
Data wydania: grudzień 2017
EAN: 7090020181325
Nr katalogowy: LWC 1120
Nośnik: 1 CD
Data wydania: grudzień 2017
EAN: 7090020181325
The Messenger
Lawo Classics - LWC 1120
Kompozytor
Alf Hurum, Hjalmar Borgstrom, Knut Hakanson, Franz Liszt, Oistein Sommerfeldt, Arne Dorumsgaard, Sigurd Lie, Sverre Jordan
Alf Hurum, Hjalmar Borgstrom, Knut Hakanson, Franz Liszt, Oistein Sommerfeldt, Arne Dorumsgaard, Sigurd Lie, Sverre Jordan
Wykonawcy
Isa Katharina Gericke, soprano
Bengt Forsberg, piano
Isa Katharina Gericke, soprano
Bengt Forsberg, piano
Utwory na płycie:
1 Blonde nætter.mp3
2 Liden Kirsten.mp3
3 Vi sees igjen.mp3
4 Salomo I.mp3
5 Salomo II.mp3
6 Til min mor.mp3
7 Storme.mp3
8 När den sköna mai.mp3
9 Lutad mot gärdet.mp3
10 Ett litet barn.mp3
11 Stigen.mp3
12 Vad skall man sjunga .mp3
13 Pa stranden.mp3
14 Budbärerskan.mp3
15 Till ett skönt barn.mp3
16 Transcription of Richard Wagner s «Isoldes Liebestod».mp3
17 Fattig er mitt liv.mp3
18 En hustavle.mp3
19 Sovnen.mp3
20 Natt.mp3
21 Regn.mp3
22 Sne.mp3
23 Pil og bue.mp3
24 Og se hun kom.mp3
Alf Hurum:
Blonde naetter
Liden Kirsten
Vi sees igjen
Hjalmar Borgstrom:
Salomo I
Salomo II
Til min mor
Storme
Knut Hakanson:
När den sköna mai
Lutad mot gärdet
Ett litet barn
Stigen
Vad skall man sjunga?
Pa stranden
Budbärerskan
Till ett skönt barn
Franz Liszt:
Transcription of Richard Wagner’s «Isoldes Liebestod» from Tristan und Isolde
Oistein Sommerfeldt:
Fattig er mitt liv
Arne Dorumsgaard:
En hustavle
Sovnen
Natt
Regn
Sigurd Lie:
Sne
Sverre Jordan:
Pil og bue
Og se hun kom
Blonde naetter
Liden Kirsten
Vi sees igjen
Hjalmar Borgstrom:
Salomo I
Salomo II
Til min mor
Storme
Knut Hakanson:
När den sköna mai
Lutad mot gärdet
Ett litet barn
Stigen
Vad skall man sjunga?
Pa stranden
Budbärerskan
Till ett skönt barn
Franz Liszt:
Transcription of Richard Wagner’s «Isoldes Liebestod» from Tristan und Isolde
Oistein Sommerfeldt:
Fattig er mitt liv
Arne Dorumsgaard:
En hustavle
Sovnen
Natt
Regn
Sigurd Lie:
Sne
Sverre Jordan:
Pil og bue
Og se hun kom
A tribute to Norwegian opera diva Kirsten Flagstad, Nordic art songs, Isa Katharina Gericke, Bengt Forsberg.
On this recording the listener is introduced to a collection of these Nordic songs, which are perhaps a lesser known part of her repertoire than her famous operatic roles.
Kirsten Flagstad was born in Hamar, Norway, in 1895, into a life filled with music; both her parents were professional theatre musicians in Norway’s capital.
Throughout her childhood years at Vinderen in Oslo, music was a part of her life from morning until evening. Via her parents’ acquaintances, Kirsten was introduced to a broad repertoire; she would accompany herself at the piano in Schubert Lieder, revue songs by Vilhelm Dybwad, operettas by Franz Lehar and Emmerich Kálmán, as well as in the arias of Puccini and Wagner. Her début as an opera singer took place at the National Theatre in Oslo, in December 1913, where she sang the part of Nuri in Eugen d’Albert’s Tiefland, under the baton of Johan Halvorsen.
Despite that fact that Kirsten Flagstad is remembered as a singer mainly of large-scale works, with a voice that was suited to the largest venues, she had a particular love of Lieder and art songs. From her teens and throughout her career her repertoire included a significant number of German and Nordic songs. Her distinctive voice and ability made Kirsten Flagstad a source of inspiration to composers all over the world. Many wrote music for her, claiming that their music was so demanding that only Kirsten would be able to perform it. She had a predilection for Norwegian music and as often as not a recital programme would contain songs by Arne Dorumsgaard, Sverre Jordan, Oistein Sommerfeldt, Sigurd Lie, or Hjalmar Borgstrom. Flagstad’s short, intense friendship with the Swedish composer Knut Hakanson inspired a special collection of songs that she kept in her repertoire all her life.
Recorded in Sofienberg Church, Oslo, 25-29 May 2014
On this recording the listener is introduced to a collection of these Nordic songs, which are perhaps a lesser known part of her repertoire than her famous operatic roles.
Kirsten Flagstad was born in Hamar, Norway, in 1895, into a life filled with music; both her parents were professional theatre musicians in Norway’s capital.
Throughout her childhood years at Vinderen in Oslo, music was a part of her life from morning until evening. Via her parents’ acquaintances, Kirsten was introduced to a broad repertoire; she would accompany herself at the piano in Schubert Lieder, revue songs by Vilhelm Dybwad, operettas by Franz Lehar and Emmerich Kálmán, as well as in the arias of Puccini and Wagner. Her début as an opera singer took place at the National Theatre in Oslo, in December 1913, where she sang the part of Nuri in Eugen d’Albert’s Tiefland, under the baton of Johan Halvorsen.
Despite that fact that Kirsten Flagstad is remembered as a singer mainly of large-scale works, with a voice that was suited to the largest venues, she had a particular love of Lieder and art songs. From her teens and throughout her career her repertoire included a significant number of German and Nordic songs. Her distinctive voice and ability made Kirsten Flagstad a source of inspiration to composers all over the world. Many wrote music for her, claiming that their music was so demanding that only Kirsten would be able to perform it. She had a predilection for Norwegian music and as often as not a recital programme would contain songs by Arne Dorumsgaard, Sverre Jordan, Oistein Sommerfeldt, Sigurd Lie, or Hjalmar Borgstrom. Flagstad’s short, intense friendship with the Swedish composer Knut Hakanson inspired a special collection of songs that she kept in her repertoire all her life.
Recorded in Sofienberg Church, Oslo, 25-29 May 2014