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Wydawnictwo: Northern Flowers
Nr katalogowy: NFPMA 99145
Nośnik: 1 CD
Data wydania: kwiecień 2021
EAN: 5055354481451
60,00zł
na zamówienie
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Nasze kategorie wyszukiwania

Epoka muzyczna: 20 wiek do 1960, romantyzm
Obszar (język): rosyjski
Instrumenty: skrzypce, fortepian
Rodzaj: nokturn, preludia, rondo

Czajkowski / Rachmaninow / Shostakovich: Nostalgic Russia

Northern Flowers - NFPMA 99145
Kompozytor
Piotr Czajkowski (1840-1893)
Sergiej Rachmaninow (1873-1943)
Dmitri Shostakovich (1906-1975)
Eduard Napravnik, Igor Stravinsky, Nikolai Rimsky-Korsakov, Anton Arensky, Alexander Skriabin, Dmitri Kabalevsky
Wykonawcy
Hideko Udagawa, violin
Petr Limonov, piano
Pyotr Tchaikovsky:
Romance, Op. 5 (transc. Mikhailovsky)

Valse Sentimentale, Op. 51, No. 6

Eduard Napravnik:
Four Pieces, Op. 64

Sergei Rachmaninov:
Elegie, Op. 3 No. 1 (transc. Mikhailovsky)

Igor Stravinsky:
Chanson Russe- Russian Maiden’s Song

Nikolai Rimsky-Korsakov:
Hymn to the Sun (from Le coq d’or) (transc. Kreisler)

Anton Arensky:
Tempo di Valse (transc. Heifetz)
Serenade, Op. 30, No. 2

Alexander Skryabin:
Nocturne, Op. 5 No. 1 (transc. Mogilevsky)

Dmitri Shostakovich:
Three Fantastic Dances, Op. 5 (transcr. Tsyganov)
Five Preludes, Op. 34 (transcr. Tsyganov) - Nos 2, 11 17, 18

Dmitri Kabalevsky:
Improvisation, Op. 21, No. 1
Rondo, Op. 69
Russia’s great tradition of violin playing inspired countless composers to create soulful melodies and dazzling showpieces. Hideko Udagawa’s latest album, set for release by Russian label Northern Flowers on 9 April 2021, began with a quest to find fine repertoire rarities and works written to display the violin’s abilities. Nostalgic Russia also includes world premiere recordings of Viktor Mikhailovsky’s transcriptions for violin and piano of Rachmaninov’s Elégie Op.3 No.1 and Tchaikovsky’s Romance Op.5, and contains only the second ever recording of Four Pieces Op.64 by Czech composer Eduard Francevič Nápravník, principal conductor at the Imperial Mariinsky Theatre in St Petersburg and an important early interpreter of Tchaikovsky’s music.

The Russian romantic violin tradition, observes Hideko Udagawa, was always alive to a player’s individuality and emotional response to the music. Yet it also perpetuated certain signature gestures and ways of expression. “I’m very careful not to play in the old style, with too much portamenti and so on, because we live in modern times,” she reflects. “But there are still things I do that feel right even though they’re very different from what you will hear from the younger generation of violinists today. I feel it’s a great honour when anyone tells me they can hear Milstein’s influence in my playing. Those influences and the memories I have of him are part of who I am as a performer and, I hope, are at the heart of this new album.”

Recorded November 2020.

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