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Wydawnictwo: Passacaille
Nr katalogowy: PAS 1111
Nośnik: 1 CD
Data wydania: styczeń 2022
EAN: 5425004841117
64,00zł
w magazynie
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Epoka muzyczna: renesans, średniowiecze
Obszar (język): włoski
Instrumenty: klawesyn
Rodzaj: toccata

Bologna / Antico / Valente: Aquila Altera - Early Keyboard Works

Passacaille - PAS 1111
Kompozytor
Jacopo Da Bologna (lata 40-50 XIVw.)
Andrea Antico (1480-1538)
Antonio Valente (c1520-1581)
Francesco Lombardi, Girolamo Cavazzoni, Paolo Quagliati, Andrea Gabrieli, Francesco Landini, Ercole Pasquini
Wykonawcy
Federica Bianchi, clavicymbalum & harpsichord
Nagrody i rekomendacje
 
Preis der Deutschen Schallplattenkritik
 
Jacopo da Bologna:
Non na el so amante
O ciecho mondo
Aquila altera

Andrea Antico:
Per dolor mi bagno el viso
Occhi miei lassi
Animoso mio desire
Le non vuol esser piu mia

Francesco Lambardi:
Toccata

Girolamo Cavazzoni:
Inno Ave Maris Stella

Antonio Valente:
Chi la dirra disminuita

Paolo Quagliati:
Toccata dell’ottavo tono

Andrea Gabrieli:
Anchor che col partire

Francesco Landini:
Che pena e questa

Ercole Pasquini:
Anchor che col partire

Ave Maris Stella (Anonymous Codex Faenza)
With this recording, Federica Bianchi explores the development of music for keyboard instruments from the beginning of the 15th century to the dawn of the Baroque period. The earliest works originate from the famous Codex Faenza (c. 1400-1420), a manuscript of secular songs arranged for keyboard instrument by composers such as Jacopo da Bologna and Guillaume de Machaut. The earliest printed collection (1517), devoted exclusively to music for keyboard instruments, marks another milestone in this development. Later works on this album include arrangements of Renaissance hits such as Ancor che col partire. Federica Bianchi's exploration of this repertoire takes her to the toccatas of the late 16th and early 17th centuries.

Federica Bianchi plays this repertoire on three instruments built after historical models: a clavicymbalum after a design from the first half of the 15th century and two harpsichords after Italian models from the 16th and 17th centuries.

Recording: Cappella Chiesa di San Domenico, Prato (IT), 01.2021.

Zobacz także:

  • PAS 1112
  • AN 29159
  • CDA 68348