Félix Máximo López:
Variaciones del fandango espanol

Sebastián de Albero:
Recercata, fuga and sonata No. 1 in D Minor (Obras para clavicordio o pianoforte)

Antonio Soler:
Prelude No. 4 in F Minor (Llave de la modulación)
Prelude No. 3 in C Major (Llave de la modulación)
Prelude No. 1 in D Minor (Llave de la modulación)

Domenico Scarlatti:
Sonata K 69 in F Minor
Sonata K 115 in C Minor

José de Nebra:
Sinfonia No. 2 in E Minor
Sinfonia No. 8 in C Major-Minor World premiere recording

Mateo Pérez de Albéniz:
Sonata en Re

As the composer of over 500 revolutionary keyboard sonatas, Domenico Scarlatti is rightfully regarded as a towering figure in 18th-century Spanish music. His close ties to the Spanish Court granted him a wide network of influence among contemporary composers, while his innovative integration of Spanish folk elements played a crucial role in shaping the distinctive keyboard style of the era. However, the prominence of Scarlatti has unfortunately overshadowed the remarkable work of his contemporaries and immediate successors, whose compositions blend Italian, French, and Spanish traditions in unique ways. From Nebra’s recently discovered Sinfonías to the enigmatic sonorities of Albero’s Recercatas and the folkloric character of Máximo López’s Variations on the Spanish fandango, this project explores the rich diversity of 18th-century Spanish keyboard music and sheds light on an often-neglected chapter of the harpsichord repertoire.