
Wydawnictwo: Passacaille
Nr katalogowy: PAS 1164
Nośnik: 3 CD
Data wydania: listopad 2025
EAN: 5425004841643
Nr katalogowy: PAS 1164
Nośnik: 3 CD
Data wydania: listopad 2025
EAN: 5425004841643
Carapella: Tragedie Cristiane - A theatrical experiment from 1729
Passacaille - PAS 1164
Kompozytor
Tommaso Carapella (1655-1736)
Jacques Rebours, Domenico Natale Sarro, Marcello Trinchero, Johann Adolf Hasse, Leonardo Vinci, Nicola Porpora
Tommaso Carapella (1655-1736)
Jacques Rebours, Domenico Natale Sarro, Marcello Trinchero, Johann Adolf Hasse, Leonardo Vinci, Nicola Porpora
Wykonawcy
Stile Galante:
Ann Hallenberg
Giuseppina Bridelli
Valeria La Grotta
Francesca Cassinari / Stefano Aresi
Stile Galante:
Ann Hallenberg
Giuseppina Bridelli
Valeria La Grotta
Francesca Cassinari / Stefano Aresi
CD 1:
Tommaso Carapella:
Il Domiziano
Domenico Natale Sarro:
I Massimini
Leonardo Vinci:
Il Masimiano
Francesco Durante:
Flavio Valente
CD 2:
Johann Adolph Hasse:
La Draomira
Francesco Nicola Fago:
L'Eustachio
Leonardo Leo:
La Sofronia
CD 3:
Nicola Porpora:
L'Ermenegildo
Francesco Mancini:
Il Maurizio
Giacomo Franceso Milano:
Il Ridolfo
Tommaso Carapella:
Il Domiziano
Domenico Natale Sarro:
I Massimini
Leonardo Vinci:
Il Masimiano
Francesco Durante:
Flavio Valente
CD 2:
Johann Adolph Hasse:
La Draomira
Francesco Nicola Fago:
L'Eustachio
Leonardo Leo:
La Sofronia
CD 3:
Nicola Porpora:
L'Ermenegildo
Francesco Mancini:
Il Maurizio
Giacomo Franceso Milano:
Il Ridolfo
In 1729, the nobleman and poet Annibale Marches (1686-1753) published "Tragedie Cristiane", a remarkable collection of ten Italian plays.
Influenced by Racine, Corneille, Voltaire and the classical tradition, these innovative dramas are deeply rooted in Jesuit theater practice. To realize his vision, Marchese recruited ten tried and tested composers of his time - all masters of the so-called Neapolitan School. Their strophic arias, often accompanied only by harpsichord obbligato, each reflect the composer's individual style. They are complemented by previously unknown instrumental dances.
Influenced by Racine, Corneille, Voltaire and the classical tradition, these innovative dramas are deeply rooted in Jesuit theater practice. To realize his vision, Marchese recruited ten tried and tested composers of his time - all masters of the so-called Neapolitan School. Their strophic arias, often accompanied only by harpsichord obbligato, each reflect the composer's individual style. They are complemented by previously unknown instrumental dances.












