Quintus Horatius Flaccus – CARMINA:
Carm. I.5 Quis multa gracilis te puer in rosa
Carm. III.13 O fons Bandusiae splendidior vitro
Carm. III.9 Donec gratus eram tibi
Carm. I.1 Maecenas atavis edite regibus
Carm. I.15 Pastor cum traheret per freta navibus
Carm. I.24 Quis desiderio sit pudor aut modus
Carm. II.2 Nullus argento color est avaris
Carm. I.33 Albi ne doleas plus nimio memor
Carm. I.23 Vitas inuleo me similis Chloe
Carm. I.3 Sic te diva potens Cypri
Carm. I.9 Vides ut alta stet nive candidum
Carm. I.22 Integer vitae scelerisque purus
Carm. III.12 Miserarum est neque amori dare ludum neque dulci
Carm. IV.11 Est mihi nonum superantis annum
Publius Terentius Afer – EUNUCHUS:
Eun II.3 Occidi neque virgo est usquam

Between the tenth and twelfth centuries, Horace’s carmina were sung in monasteries, preserving the voice of classical poetry within medieval culture. In this recording, Stefano Albarello revives fourteen of those odes, reconstructed from ancient neumatic notation, together with a unique melody from Terence’s Eunuchus. “Vocem cum cithara dedit” reveals a forgotten world where Latin verse, rhythm, and melody merged the living echo of antiquity resonating through the Middle Ages.