Utwory na płycie:

• CSM 405 El paño de Blancherna de Constantinopla
• CSM 342 Icono en la piedra (Instrumental)
• CSM 231 Marmoles de Romania para el templo de Constantino
• CSM 25 El judio de Bizancio (Instrumental)
• CSM 138 San Juan Crisostomo (Instrumental)
• CSM 196 Sacedote pagano de Bizancio
• CSM 131 EL Emperador y el Patriarca (Instrumental)
• CSM 67 Demonio por criado, en tiempos de Neron
• CSM 28 El cerco de Constantinopla
• CSM15 Emperador Juliano, Milagro de san Basilio
• CSM 46 El moro de Ultramar y la Virgen de la Leche
• CSM 165 (395) Tortosa de Ultramar
• CSM 115 El muchacho y el ermitaño de la Montaña Negra

CD1 - Constantinople:
The Cloth at Blanchernas in Constantinople
The Icon in The Stone
Marble From “Romania” For The Temple of Constantinople
The Jew of Byzantium
St. John Chrysostom
The Pagan Priest From Byzantium
The Emperor And The Patriarch
The Man Who Had The Devil As His Servant, under Nero
The Siege of Constantinople

CD2 - Syria & Christian Orient:
Emperor Juliano, The Miracle of St. Basil
The Moor From Overseas And The Virgin of The Milk
Tartus Overseas
The Boy And The Black Mountain’s Hermit

The CANTIGAS FROM OVERSEAS form part of Pneuma's project to record a retrospective of the entire collection of the Cantigas de Alfonso X and continue to explore the theme of miracles in the Eastern Mediterranean, completing CDs PN- 880 Cantigas of Byzantium, PN-1490 Cantigas of Rome, PN-1510 Cantigas of Alexandria and the future CD Cantigas of Jerusalem. Stories unfolding in Constantinople and Christian Syria, Rome and the Byzantine Empire (wise hermits and the Sufis from the East), give the impression of a travel novel packed with mystic teaching. The valuable and unique repertoire of cantigas that were composed in the court of Alfonso X the Wise is now kept in the original 13th century codices in the library of the monastery of San Lorenzo de El Escorial and in the Spanish National Library, both located in Madrid and therefore in the custody of the Madrid Regional Government. This previously unreleased musical heritage bridges the gap between the Christian East and the Iberian Peninsula.