Utwory na płycie:

• Der Zigeunerbaron: Overture
• Der Zigeunerbaron: Act I: Introduction: Das wär kein rechter Schiffersknecht (Chorus, Ottokar, Czipra)
• Der Zigeunerbaron: Act I: Melodrama and ensemble: Zum Teufel! Schon wieder die alte Zigeunerhexe (Ottokar, Czipra, Chorus, Carnero)
• Der Zigeunerbaron: Act I: Entrance: Als flotter Geist (Barinkay) - Couplet: Ja, das alles auf Ehr (Barinkay, Chorus, Carnero)
• Der Zigeunerbaron: Act I: Melodrama and ensemble: Wer klopft an meine Tür! (Czipra, Carnero, Barinkay, Saffi, Chorus)
• Der Zigeunerbaron: Act I: Da bin ich! (Zsupán, Carnero) - Ja, das Schreiben und das Lesen (Zsupán, Chorus, Carnero, Barinkay, Mirabella)
• Der Zigeunerbaron: Act I: Couplet: Just sind es vierundzwanzig Jahre (Mirabella, Chorus)
• Der Zigeunerbaron: Act I: Ensemble: Dem Freier naht die Braut (Chorus, Arsena, Barinkay, Zsupán, Carnero, Mirabella, Girls, Ottokar)
• Der Zigeunerbaron: Act I: Dialogue: Na, Barinkay? (Zsupán, Barinkay, Ottokar, Arsena)
• Der Zigeunerbaron: Act I: Gypsy song: So elend und so treu (Saffi, Barinkay)
• Der Zigeunerbaron: Act I: Dialogue: Das Lied, ich kenne es aus meiner Kindheit (Barinkay, Czipra, Saffi)
• Der Zigeunerbaron: Act I: Finale: Arsena! Arsena! (Ottokar, Arsena, Barinkay, Saffi, Czipra, Chorus, Gypsies, Zsupán, Mirabella, Carnero, Zsupán's Men)

Overture
Act I
Act II
Act III

Johann Strauss Jr. is the most prominent member of the famous musical Strauss family and with more than 500 dance compositions to his name, became known as ‘The Waltz King’. While conducting the world premiere of his operetta Der Zigeunerbaron at the Theater an der Wien on 24 October 1885, Strauss junior lived one of, if not the biggest, stage successes of his career. Der Zigeunerbaron received 87 successive performances, which made it even more successful than Die Fledermaus and during the composer’s lifetime alone, the operetta was performed in more than 140 theaters. Originally Strauss intended to perform the 3 act operetta, ona libretto by Ignaz Schnitzer, at the Vienna Court Opera, rather than the Theater an der Wien. Even though this didn’t work out for contractual reasons, it may be seen as a reflection of the composer’s ambition to outgrow the dance hall. Der Zigeunerbaron clearly is a much more dramatic piece than Die Fledermaus and is by many considered to be a comic opera, instead of a genuine operetta. Johann Strauss junior forever stayed The Waltz King, but Der Zigeunerbaron became a success until present day. With the release of this 2-SACD album, now to be enjoyed in a splendid May 2015 recording by the NDR Radiophilharmonie and the NDR Chor conducted by Lawrence Foster.

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Live recording