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ptc5186566
Wydawnictwo: Pentatone
Nr katalogowy: PTC 5186566
Nośnik: 1 SACD
Data wydania: kwiecień 2016
EAN: 827949056666
70,00zł
na zamówienie
Zamów
Nasze kategorie wyszukiwania

Epoka muzyczna: romantyzm
Obszar (język): norweski, rosyjski
Instrumenty: fortepian
Rodzaj: koncert

SACDHybrydowy format płyty umożliwia odtwarzanie w napędach CD!

Czajkowski / Grieg: Piano Concertos

Pentatone - PTC 5186566
Wykonawcy
Denis Kozhukhin, piano
Rundfunk-Sinfonieorchester Berlin / Vassily Sinaisky
Nagrody i rekomendacje
 
Diapason 5 Gramophone Editor's Choice
 
Peter Ilyich Tchaikovsky:
Piano Concerto No. 1 in B-flat minor, Op. 23

Edvard Grieg:
Piano Concerto in A minor, Op. 16
This new PENTATONE release of Edvard Grieg’s Piano Concerto in A minor, Op. 16 and Peter Ilyich Tchaikovsky’s Piano Concerto No. 1 in B-flat minor, Op. 23 marks the start of the musical collaboration between the label and the young Russian pianist Denis Kozhukhin. Kozhukhin established himself on the international concert scene after winning prizes at the 2006 Leeds International Piano Competition, as well as the 2010 Queen Elisabeth Competition. ‘I am thrilled to have the opportunity to record repertoire that has played a significant part in my musical life’ says Kozhukhin about thisrecording, made with the Rundfunk-Sinfonieorchester Berlin, conducted by Vassily Sinaisky. Kozhukhin chose two concertos that against all odds, both turned out to become “virtuoso warhorses”. Grieg is known as a composer with a focus on the more intimate musical genres. His first attempt to compose in a more extensive musical genre, resulted in a symphony of which Grieg himself said it “should never be performed...”. His other attempt however, the Piano Concerto in A minor, brought him world-wide success. Until Tchaikovsky started writing his first piano concerto, piano music had only been of secondary interest to him. As he himself put it: “Basically, I am inflicting violence upon myself by forcing my brain to come up with piano passages”. After seeking professional advice on the composition with his friend and excellent pianist Nikolaj Rubinstein, the latter basically massacred the piece and refused to premiere it. Fortunately Tchaikovsky then decided to dedicate it to German pianist Hans von Bülow, who later on gave it its triumphant premiere. Nowadays these two concertos rank among the most magical in the piano repertoire.

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