Wydawnictwo: Pentatone
Nr katalogowy: PTC 5186797
Nośnik: 1 SACD
Data wydania: kwiecień 2019
EAN: 827949079764
Nr katalogowy: PTC 5186797
Nośnik: 1 SACD
Data wydania: kwiecień 2019
EAN: 827949079764
Hybrydowy format płyty umożliwia odtwarzanie w napędach CD!Rossini: Petite Messe solennelle
Pentatone - PTC 5186797
Kompozytor
Gioacchino Rossini (1792-1868)
Gioacchino Rossini (1792-1868)
Wykonawcy
Eleonora Buratto, soprano
Sara Mingardo, mezzo-soprano
Kenneth Tarver, tenor
Luca Pisaroni, bass
Tobias Berndt, organ
Wiener Singakademie
Orchestre Philharmonique du Luxembourg / Gustavo Gimeno
Eleonora Buratto, soprano
Sara Mingardo, mezzo-soprano
Kenneth Tarver, tenor
Luca Pisaroni, bass
Tobias Berndt, organ
Wiener Singakademie
Orchestre Philharmonique du Luxembourg / Gustavo Gimeno
Nagrody i rekomendacje
Utwory na płycie:
Petite Messe solennelle - Kyrie- Petite Messe solennelle - Gloria in excelsis Deo (Gloria)
- Petite Messe solennelle - Gratias agimus tibi (Gloria)
- Petite Messe solennelle - Domine Deus (Gloria)
- Petite Messe solennelle - Qui tollis peccata mundi (Gloria)
- Petite Messe solennelle - Quoniam tu solus sanctus (Gloria)
- Petite Messe solennelle - Cum Sancto Spiritu (Gloria)
- Petite Messe solennelle - Credo in unum Deum (Credo)
- Petite Messe solennelle - Crucifixus (Credo)
- Petite Messe solennelle - Et resurrexit (Credo)
- Petite Messe solennelle - Preludio religioso - Ritornello
- Petite Messe solennelle - Sanctus
- Petite Messe solennelle - O salutaris hostia
- Petite Messe solennelle - Agnus Dei
Kyrie
Gloria
Credo
Preludio religioso – Ritornello
Sanctus
O salutaris hostia
Agnus Dei
Gloria
Credo
Preludio religioso – Ritornello
Sanctus
O salutaris hostia
Agnus Dei
A ROSSINIAN MIX OF SOLEMNITY AND RAPTURE
In Rossini’s Petite Messe solennelle (1863-1867), sacred tones blend in seamlessly with allusions to his comic operas. “Is this sacred music which I have written or music of the devil?”, the composer tellingly asked himself in a personal letter. Rossini’s enigmatic but highly enjoyable mass demonstrates his rich musical palette, ranging from “archaic” remnants of Bach, Haydn and Mozart to harmonic audacities that point towards the music of Fauré and even Poulenc. Despite this stylistic range, the Petite Messe solennelle sounds unmistakably Rossinian, and continues to enchant audiences to this day. Initially composed for a small ensemble of singers accompanied by two pianos and a harmonium, the piece is presented here in Rossini’s orchestration.
With this Rossini recording, the Orchestre Philharmonique du Luxembourg and its Music Director Gustavo Gimeno continue their acclaimed PENTATONE series of composer portraits that already featured monographs of Shostakovich, Bruckner, Ravel, Mahler, Stravinsky and Debussy. On this album they work together with organist Tobias Berndt, the Wiener Singakademie and a quartet of outstanding soloists: Eleonora Burrato (Soprano), Sara Mingardo (Mezzo-Soprano), Kenneth Tarver (Tenor) and Luca Pisaroni (Bass).
This album was recorded at the Philharmonie Luxembourg in March 2018.
In Rossini’s Petite Messe solennelle (1863-1867), sacred tones blend in seamlessly with allusions to his comic operas. “Is this sacred music which I have written or music of the devil?”, the composer tellingly asked himself in a personal letter. Rossini’s enigmatic but highly enjoyable mass demonstrates his rich musical palette, ranging from “archaic” remnants of Bach, Haydn and Mozart to harmonic audacities that point towards the music of Fauré and even Poulenc. Despite this stylistic range, the Petite Messe solennelle sounds unmistakably Rossinian, and continues to enchant audiences to this day. Initially composed for a small ensemble of singers accompanied by two pianos and a harmonium, the piece is presented here in Rossini’s orchestration.
With this Rossini recording, the Orchestre Philharmonique du Luxembourg and its Music Director Gustavo Gimeno continue their acclaimed PENTATONE series of composer portraits that already featured monographs of Shostakovich, Bruckner, Ravel, Mahler, Stravinsky and Debussy. On this album they work together with organist Tobias Berndt, the Wiener Singakademie and a quartet of outstanding soloists: Eleonora Burrato (Soprano), Sara Mingardo (Mezzo-Soprano), Kenneth Tarver (Tenor) and Luca Pisaroni (Bass).
This album was recorded at the Philharmonie Luxembourg in March 2018.
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