Utwory na płycie:

• 1 Ombre di luce - Dolce oggetto del mio amore… Deh che ciglio rasserena from Leonora (1803).mp3
• 2 Ombre di luce - Il mio tesoro intanto from Don Giovanni (1787).mp3
• 3 Ombre di luce - Unis dès la plus tendre enfance from Iphigénie en Tauride (1779).mp3
• 4 Ombre di luce - Fuor del mar from Idomeneo (1781).mp3
• 5 Ombre di luce - Torna la pace al core from Idomeneo.mp3
• 6 Ombre di luce - O wie ängstlich, o wie feurig from Die Entführung aus dem Serail (1782).mp3
• 7 Ombre di luce - Quel nouveau ciel pare ces lieux from Orphée et Eurydice (1774).mp3
• 8 Ombre di luce - J’ai perdu mon Eurydice from Orphée et Eurydice.mp3
• 9 Ombre di luce - Se di lauri il crine adorno from Mitridate, re di Ponto (1770).mp3
• 10 Ombre di luce - Vado incontro al fate estremo from Mitridate, re di Ponto.mp3
• 11 Ombre di luce - Rends-moi ton coeur from Les Danaïdes (1784).mp3
• 12 Ombre di luce - Ah, lo veggio from Così fan tutte (1790).mp3
• 13 Ombre di luce - Depuis longtemps from L’Amant anonyme (1780).mp3
• 14 Ombre di luce - Misero! O sogno, o son desto? (Concert Aria, 1783).mp3

Paer:
Dolce oggetto del mio amore… Deh che ciglio rasserena from Leonora (1803)

Mozart:
Il mio tesoro intanto from Don Giovanni (1787)
Fuor del mar from Idomeneo (1781)
Torna la pace al core from Idomeneo
O wie ängstlich, o wie feurig from Die Entführung aus dem Serail (1782)

Gluck:
Unis des la plus tendre enfance from Iphigénie en Tauride (1779)

Salieri:
Rends-moi ton coeur from Les Danaides (1784)

Bologne:
Depuis longtemps from L’Amant anonyme (1780)

Nathan Granner presents tenor arias by Paër, Mozart, Gluck, Salieri and Bologne, showcasing the rise of the tenor in the late eighteenth century, as well as the Enlightened spirit of the age. The Orchestre Philharmonique de Marseille, under the baton of Clelia Caffiero, partners with Granner to navigate a vast emotional landscape of classical period arias producing a timeless and compelling musical experience. Nathan Granner enjoys a unique and diverse performing career, allowing him to leverage his golden age timbre in many projects and productions. He returns to PENTATONE after having sung the title role in a highlights recording of Gordon Getty's opera Goodbye, Mr. Chips (2022), of which a complete recording with Granner in the same role will appear on the label in 2025. The Orchestre Philharmonique de Marseille has appeared on PENTATONE multiple times, on albums ranging from Martinů Double Concertos with the Kodama and Nemtanu sisters to recitals by Lisa Delan and Kevin Short (all in 2018). Clelia Caffiero makes her PENTATONE debut.