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qtz2128
Wydawnictwo: Quartz
Nr katalogowy: QTZ 2128
Nośnik: 1 CD
Data wydania: sierpień 2018
EAN: 880040212829
54,00zł
na zamówienie
Zamów
Nasze kategorie wyszukiwania

Epoka muzyczna: 20 wiek do 1960, romantyzm
Obszar (język): węgierski, polski, rosyjski
Instrumenty: fortepian
Rodzaj: nokturn

Chopin / Bartok / Glinka: Nocturne

Quartz - QTZ 2128
Wykonawcy
Richard Saxel, piano
Rowley:
Nocturne No. 5 in F Major

Gurney:
Nocturne in A flat major

Hill, Alfred:
Das Lebwewohl

Field:
Nocturne No. 10 in E minor

Liebermann, L:
Nocturne No. 4, Op. 38

Chopin:
Nocturne No. 21 in C minor, BI 108
Nocturne in C Minor, B. 108

?Excerpt,? Poulenc:
8 Nocturnes
Nocturnes, FP 56:
No. 4 in C Minor "Bal fantôme"

Louis Durey:
Nocturne, Op. 40

Palmgren:
Nocturne in 3 Scenes, Op. 72

?Excerpt,? Bartók:
Out of Doors, Sz. 81, BB89
Richard Saxel has always been interested in the links between art and music, and conceived this recording along the lines of a Cubist painting, considering nocturnes and night music from multiple angles, but having the intention to create a complete picture through the album as a whole. There are contrasting areas of light and darkness, achieved by grouping pieces together according to different themes or criteria; sometimes by the composers' nationality, sometimes by the key or intensity of the music, and still further groupings with particular themes. Thus there are pieces where suggestions of the nightmarish supernatural are never far away, a group in which depictions of the natural world are explicit, and by contrast another suggesting the edginess of the urban night. Avoiding a chronological survey, nearly two hundred years' worth of music is represented from the earliest example by John Field to works composed in this millennium. The works by Lowell Liebermann, Antonio Bibalo, Dave Brubeck and Leonid Desyatnikov serve as reminders that the nocturne has developed considerably from the earliest model of a pretty Romantic piece with a repeated left hand figure supporting a decorated right hand melody, and yet has retained the intense distillation of emotion.

Zobacz także:

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  • RCD 1001
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  • RCD 1027
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