
Wydawnictwo: Raumklang
Nr katalogowy: RK 4102
Nośnik: 1 CD
Data wydania: styczeń 2022
EAN: 4018767041026
Nr katalogowy: RK 4102
Nośnik: 1 CD
Data wydania: styczeń 2022
EAN: 4018767041026
Schein / Schutz / Castello: Rorate coeli
Raumklang - RK 4102
Kompozytor
Johann Hermann Schein (1586-1630)
Heinrich Schutz (1585-1672)
Dario Castello (1590-1658)
Johann Rosenmüller, Alessandro Grandi, Giovanni Battista Riccio, Giovanni Picchi
Johann Hermann Schein (1586-1630)
Heinrich Schutz (1585-1672)
Dario Castello (1590-1658)
Johann Rosenmüller, Alessandro Grandi, Giovanni Battista Riccio, Giovanni Picchi
Wykonawcy
La Rubina
La Rubina
Utwory na płycie:
Intrada
Wann unsre Augen schlafen ein
Sonata quinta
Padouana
Deus meus
Seconda Sonata
Sonata sesta
Die Gottseligkeit ist zu allen Dingen
Decima Sonata
Exaudiat te Dominos
Ich liege und schlafe
La Rubina
Sonata seconda
Padouana
O Jesu, nomen dulce
O quam tu pulchra es
Rorate coeli
Condon seconda
Undecima Sonata
Johann Hermann Schein:
Intrada
Padouana
Exaudiat te Dominos
Padouana
Heinrich Schütz:
Wann unsre Augen schlafen ein
Die Gottseligkeit ist zu allen Dingen
Ich liege und schlafe
O Jesu, nomen dulce
Rorate coeli
Johann Rosenmüller:
Sonata quinta
Sonata sesta
Alessandro Grandi:
Deus meus
O quam tu pulchra es
Dario Castello:
Seconda Sonata
Decima Sonata
Sonata seconda
Undecima Sonata
Giovanni Battista Riccio:
La Rubina
Giovanni Picchi:
Condon seconda
Intrada
Padouana
Exaudiat te Dominos
Padouana
Heinrich Schütz:
Wann unsre Augen schlafen ein
Die Gottseligkeit ist zu allen Dingen
Ich liege und schlafe
O Jesu, nomen dulce
Rorate coeli
Johann Rosenmüller:
Sonata quinta
Sonata sesta
Alessandro Grandi:
Deus meus
O quam tu pulchra es
Dario Castello:
Seconda Sonata
Decima Sonata
Sonata seconda
Undecima Sonata
Giovanni Battista Riccio:
La Rubina
Giovanni Picchi:
Condon seconda
The Leipzig ensemble La Rubina unites passion and expertise for the music of the early 17th century. In a small chamber group, the different timbres of cornet, baroque violin, dulcian, theorbo as well as harpsichord and organ are combined in a very exquisite way. The works recorded here from Venice and Leipzig – two of the most influential centres of music after 1600 – have in common the “narrative” element arising from the monodic principle of vocal music, which had a decisive influence on the expression of instrumental music. Conversely, virtuosity in early Baroque chamber music had an effect on vocal music; the most important genre of church music of that time, the sacred concerto, came into being. In this respect, some instrumentally performed sacred pieces here fit in organically.
Recording: Neuapostolischen Kirche in Leipzig, 15 April and 9 & 11 June 2021.
Recording: Neuapostolischen Kirche in Leipzig, 15 April and 9 & 11 June 2021.