Nasze kategorie wyszukiwania
The Triumphs of Maximillian
Signum Classics - SIGCD 004
Kompozytor
after Busnois; anon; Arnt von Aich; Barbireau; Caspar Othmayr; Georg Rhaw; Heinrich Finck; Heinrich Isaac; Johannes Ghiselin; Josquin des Pres; Ludwig Senfl; Ludwig Senfl/Hans Gerle; Sixtus Dietrich; Thomas Stolzer
after Busnois; anon; Arnt von Aich; Barbireau; Caspar Othmayr; Georg Rhaw; Heinrich Finck; Heinrich Isaac; Johannes Ghiselin; Josquin des Pres; Ludwig Senfl; Ludwig Senfl/Hans Gerle; Sixtus Dietrich; Thomas Stolzer
Wykonawcy
Musica Antiqua of London:
Alison Crum
John Bryan
Margaret Westlake
Rebecca Miles
John Potter / Philip Thorby
Musica Antiqua of London:
Alison Crum
John Bryan
Margaret Westlake
Rebecca Miles
John Potter / Philip Thorby
Utwory na płycie:
Will niemand singen?- Elslein a 3
- Elslein a 3
- Es taget a 5
- Elslein a 4
- Elslein / Es taget a 4
- Ein frolyk wesen a 3
- Ein frolyk wesen a 3
- Ein frolyk wesen a 4
- Quis Separabit
- Patientiam Muss ich han
- Fortuna Desperata a 4
- Tandernaken, Quattuor a 4
- Entlaubet ist der Walde a 4
- Entlaubet ist der Walde a 4
- Canon Diskant & Tenor a 4
- Entlaubet ist der Walde a 4
- Der Hundt a 4
- Der Hundt a 3
- Ich stund an einem Morgen a 4
- Ich stund an einem Morgen a 2
- Ich stund an einem Morgen a 4
- Fortuna in Mi a 3
- Ich stund an einem Morgen a 3
- Ich stund an einem Morgen a 5
- Ich stund an einem Morgen a 3
- Ich stund an einem Morgen a 4
- Ich stund / Es taget / Kein Adler a 6
- Fortuna a 3
- Exemplum
- Elslein
- Elslein a 3
- Es taget a 5
- Elslein a 2
Fortuna Desperata
Elslein/Es taget vor dem Walde
Ein frolyk wesen
Pacienta
Tandernaken
Der Hundt
Ich stund an einem Morgen;
Elslein/Es taget vor dem Walde
Ein frolyk wesen
Pacienta
Tandernaken
Der Hundt
Ich stund an einem Morgen;
Signum is delighted to announce the debut disc of Musuica Antiqua on Signum Records.
The Triumphs of Maximillian contains songs and instrumental music associated with the German court of Holy Roman Emperor Maximillian the first.
The early sixteenth century produced European music of great power and innovation. Tthe best players and composers were increasingly mobile, and were aggressively 'head-hunted' from court to court. Nowhere was the resulting mix of styles and influences more clearly illustrated than at the German court of Holy Roman Emperor Maximilian the First. Old and new, polyphony and homophony, national and international, all blend together to produce a repertoire of great variety and richness. In music, as in the visual arts,
Maximilian was a patron of unusual discrimination: the volumes of woodcuts by Dürer and Burgmair, commissioned to ensure that the Emperor's fame outlived his reign, pay tribute to his artistic judgement, whilst the music of Isaac and Senfl, both in his employ, is in itself a great monument to him.
"... I think no praise is too high; they do everything with a pleasingly light touch and always with a real sensitivity to the music"
Gramophone June 1999
"I would recommend this disc strongly"
Early Music Review
"... virtuoso performances tempered by the sensitive vocal interpretations of John Potter"
Early Music
The Triumphs of Maximillian contains songs and instrumental music associated with the German court of Holy Roman Emperor Maximillian the first.
The early sixteenth century produced European music of great power and innovation. Tthe best players and composers were increasingly mobile, and were aggressively 'head-hunted' from court to court. Nowhere was the resulting mix of styles and influences more clearly illustrated than at the German court of Holy Roman Emperor Maximilian the First. Old and new, polyphony and homophony, national and international, all blend together to produce a repertoire of great variety and richness. In music, as in the visual arts,
Maximilian was a patron of unusual discrimination: the volumes of woodcuts by Dürer and Burgmair, commissioned to ensure that the Emperor's fame outlived his reign, pay tribute to his artistic judgement, whilst the music of Isaac and Senfl, both in his employ, is in itself a great monument to him.
"... I think no praise is too high; they do everything with a pleasingly light touch and always with a real sensitivity to the music"
Gramophone June 1999
"I would recommend this disc strongly"
Early Music Review
"... virtuoso performances tempered by the sensitive vocal interpretations of John Potter"
Early Music
Zobacz także:
