Utwory na płycie:

• Veni Creator Spiritus - Veni E
• La Vida Breve: Spanish Dance
• 5 Gypsy Dances, Op. 55: V. Sac
• The Raven
• Etenraku
• The Legend of the Arkansas Tra
• Festival of the Workers: II. D
• Symphony No. 2, 'Reflections u
• Oriental Impressions: Japanese
• Bali
• Concerto for 2 Pianos and Orch
• Concerto for 2 Pianos and Orch
• Concerto for 2 Pianos and Orch
• Manhattan Beach
• El Capitan

Two Ancient Liturgical Melodies – ‘Veni Creator Spiritus’, ‘Veni Emmanuel’ (arr. Leopold Stokowski)

Manuel De Falla:
La Vida Breve - Spanish Dance

Joaquín Turina:
5 Gypsy Dances, Op. 55 No. 5 - Sacred Moun

Arcady Dubensky:
Edgar Allen Poe’s ‘The Raven’

Harl McDonald:
The Legend of the Arkansas Traveller
Festival of the Workers Suite - Dance of the Workers
Symphony No. 2 - Rhumba
Concerto for Two Pianos and Orchestra

Henry Eichheim:
Oriental Impressions - Japanese Nocturne
Bali, Symphonic Variations

John Philip Sousa:
Manhattan Beach
El Capitan

Etenraku, Ceremonial Japanese Prelude (arr. Hidemaro Konoye)

The Golden Age of Leopold Stokowski and the Philadelphia Orchestra" describes the 25 years from 1912 during which a London-born church organist took a provincial American ensemble and built it into one of the finest orchestras in the world, noted for its precision, virtuosity, and splendid tone-colour. With the advent of the microphone during the 1920s, Stokowski and the Philadelphia Orchestra made an enormous number of 78rpm discs that would become landmark recordings. For much of this time Stokowski concentrated on basic repertoire – including Beethoven, Brahms, Tchaikovsky, Sibelius, Debussy, Mussorgsky and many others.

However, side-by-side with familiar pieces went a number of works which no-one else had recorded before or, indeed, has recorded since! Although Stokowski was to record certain compositions several times over during his long career, there were a number which he recorded only once – on 78s made with the Philadelphia Orchestra. This unique collection of restored recordings brings together just those items which fall into this "rarities" category, and it demonstrates Stokowski's incredibly wide-ranging musical sympathies. It covers many periods and styles, from melodies centuries old to colourful Iberian and Oriental works, together with music of 20th-century America.

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Recordings: April 7, 1934 (1), December 8, 1928 (2), April 5, 1937 (3), December 9-10, 1932 (4), November 12, 1934 (5), March 27, 1940 (6), November 25, 1935 (7), November 25, 1935 (8), April 30, 1929 (9), November 12, 1934 (10), April 19, 1937 (11-13).