Utwory na płycie:

• Apollo et Hyacinthus, K. 38, Act II: "Natus cadit" (Melia and Oebalus)
• Die Entführung aus dem Serail, K. 384, Act I: "Konstanze… O wie ängstlich" (Belmonte)
• Le nozze di Figaro, K. 492, Act I: "Se vuol ballare, signor Contino" (Figaro)
• Don Giovanni, K. 527, Act II: "Deh vieni alla finestra" (Don Giovanni)
• Cosi fan tutte, K. 588, Act I: "Di scrivermi ogni giorno" (Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso)
• La clemenza di Tito, K. 621, Act I: "Ah perdona al primo affetto" (Servilia and Annio)
• Die Zauberflöte, K. 620, Act I: "Hm! hm! hm! hm!" (Drei Damen, Tamino, Papageno)
• La finta semplice, K. 51, Act II: "Amoretti, che ascosi qui siete" (Rosina)
• Bastien und Bastienne, K. 50: "Diggi, daggi, schurry, murry" (Colas)
• Mitridate, re di Ponto, K. 87, Act II: "Se viver non degg'io" (Aspasia and Sifare)
• Lucio Silla, K. 135, Act III: "Fra i pensier piu funesti" (Giunia)
• La finta giardiniera, K. 196, Act I: "Geme la tortorella" (Sandrina)
• Il re pastore, K. 208, Act II: "Viva l'invitto duce" (Aminta, Elisa, Tamiri, Alessandro, Agenore)
• Zaide, K. 344, Act I: "Ruhe sanft, mein holdes Leben" (Zaide)
• Idomeneo, K. 366, Act III: "Andro ramingo e solo" (Ilia, Elettra, Idamante, Idomeneo)

Signum are proud to reissue Classical Opera’s debut CD, ‘The A-Z of Mozart Opera’, selected for Gramophone magazine’s annual Critic’s Choice in 2007. Based on the coincidence that Mozart’s first opera (Apollo et Hyacinthus) begins with ‘A’ and his last (Die Zauberflo?te) with ‘Z’, this disc takes the listener on a chronological journey through Mozart’s operatic canon, featuring an aria or ensemble from fifteen of his operas.

“My personal pick for giving this year is the Classical Opera Company’s glorious The A-Z of Mozart Opera, which is fresh, diverse, insightful and illuminating (everything that such recital anthologies usually fail to be). ... “... uniformly superb interpretations... an auspicious de?but recording of intelligence, finesse and quality.” Gramophone

"Ian Page and the orchestra of Classical Opera accompany everything with style and charm, and the cast of singers give us a sequence of finely lyrical performances. All in all this is a lovely disc which manages to introduce both Mozart's genius and a range of lovely lyric voices, all in stylish performances which certainly make you want to hear more." Planet Hugill

"Page, to my mind one of the most talented of today's younger British conductors, immediately announced himself with this CD as a natural Mozartian." Early Music Review