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Wydawnictwo: Signum Classics
Nr katalogowy: SIGCD 524
Nośnik: 1 CD
Data wydania: luty 2018
EAN: 635212052426
54,00zł
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Epoka muzyczna: romantyzm, współczesna
Obszar (język): niemiecki, Jewish
Instrumenty: altówka, wiolonczela
Rodzaj: koncert

Kernis / Schumann: Dreamsongs, Three Concertos

Signum Classics - SIGCD 524
Wykonawcy
Aaron Jay Kernis, piano
Joshua Roman, cello
Paul Neubauer, viola
Royal Northern Sinfonia / Rebecca Miller
Aaron Jay Kernis:
Dreamsongs
Viola Concerto
Concerto with Echoes
Tumbalalaika (trad., arr. Aaron Jay Kernis)

Robert Schumann:
Fughetta, Op. 32, No. 4
Winner of the 2002 Grawemeyer Award for Music Composition, 1998 Pulitzer Prize, and 2011 Nemmers Award, Aaron Jay Kernis is one of America’s most honoured composers. His music appears prominently on concert programs worldwide, and he has been commissioned by America’s preeminent performing organizations and artists, including the New York Philharmonic, San Francisco, Toronto, and Melbourne (AU) Symphonies.

The Viola Concerto – composer for the soloist Paul Neubauer – was in its first instance inspired and informed by the viola music of Robert and Clara Schumann, but takes on a number of other influences. Taking the performers own interest in folk music as an influence too, the final movement A Song My Mother Taught Me is based on the well-known Yiddish song Tumbalalaika. Dreamsongs also follows folk influences, following inspiration from sources including aboriginal ‘dreamsongs’ and the West African djembe drum. A virtuosic work, it was developed in collaboration with the cellist Joshua Roman who features as soloist in this recording.

Conductor Rebecca Miller leads the Royal Northern Sinfonia in the final work Concerto with Echoes, inspired by the Sixth Brandenburg Concerto, and in the composer’s own words “...comes from its very first measure the opening passage with two spiraling solo violas, like identical twins following each other breathlessly through a hall of mirrors ... this concerto mirrors the Sixth by using only violas, celli and basses, while gradually adding reeds and horns into a loop back to the sound world of the First Brandenburg Concerto.”

Recorded in the Sage, Gateshead, UK from 14th to 16th June 2016

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