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Wydawnictwo: Signum Classics
Nr katalogowy: SIGCD 684
Nośnik: 1 CD
Data wydania: sierpień 2021
EAN: 635212068427
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Epoka muzyczna: barok
Obszar (język): niemiecki
Instrumenty: viola da gamba
Rodzaj: suita

Schein / Bach / Scheidt: Lamento

Signum Classics - SIGCD 684
Johann Hermann Schein (1586-1630)
Johann Christoph Bach (1642-1703)
Samuel Scheidt (1587-1654)
Franz Tunder, Heinrich Schütz, Christian Geist, Giovanni Felice Sances
Iestyn Davies, countertenor
Hugh Cutting, countertenor
Silas Wollston, organ & virginals
Nagrody i rekomendacje
Music Island Recommends Presto Disc of the Week
Franz Tunder:
Salve mi Jesu
An Wasserflüßen Babylon

Samuel Scheidt:
Canzon super ‘O Nachbar Roland', SSWV 66
Canzon super Cantionem Gallicam, SSWV 67

Johann Christoph Bach:
Ach dass ich Wassers g’nug hätte (Lamento)

Johann Hermann Schein:
Banchetto Musicale, Suite No. 14
Banchetto Musicale, Suite No. 7
Christ unser Herr zum Jordan Kam

Heinrich Schütz:
Auf dem Gebirge, SWV 396

Christian Geist:
Es war aber an der Stätte

Giovanni Felice Sances:
O dulce nomen Jesu
Counter-tenor Iestyn Davies and and the viol consort Fretwork present a new recording of works for viol consort and voice drawn from 17th-century Germany, following their critically-praised 2019 album of works by Michael Nyman and Henry Purcell (If, SIGCD586).

Featuring performances from organist Silas Wollston and counter-tenor Hugh Cutting, the recital ranges widely over the 17th century – from the early years with three curiously similar sounding friends: Schein, Scheidt and Schütz, to the most significant member of the Bach family before Johann Sebastian, Johann Christoph Bach. From their they travel down North Sea to the foothills of the Alps, including Buxtehude’s predecessor at the Marienkirche in Lübeck – Franz Tunder (whose daughter Buxtehude was to marry) and another north German composer who worked in Copenhagen, Christian Geist. Giovanni Felice Sances is an outlier here: he was born in Rome, but spent the second part of his life working for three successive Emperors in Vienna, where viol playing was still very much in vogue.

In 2021, Fretwork celebrates its 35th anniversary. In the past three and a half decades they have explored the core repertory of great English consort music, from Taverner to Purcell, and made classic recordings against which others are judged. In addition to this, Fretwork have become known as pioneers of contemporary music for viols, having commissioned over 40 new works.

Iestyn Davies is a British countertenor widely recognised as one of the world’s finest singers celebrated for the beauty and technical dexterity of his voice and intelligent musicianship. Critical recognition of Iestyn’s work can be seen in two Gramophone Awards, a Grammy Award, a RPS Award for Young Singer of the Year, the Critics’ Circle Award and recently an Olivier Award Nomination. He was awarded the MBE in the Queen’s New Year’s Honours List 2017 for services to music.

Recorded in The Apex, Bury St Edmunds, UK from 21st to 23rd July 2020.

Zobacz także:

  • RK 4102
  • CAR 83350
  • GLO 5214
  • CC 72903
  • RCD 1101
  • ALC 1457
  • ALC 3145
  • HC 22034
  • ARS 38598
  • COV 92213