Wydawnictwo: Signum Classics
Nr katalogowy: SIGCD 907
Nośnik: 1 CD
Data wydania: kwiecień 2024
EAN: 635212090725
Nr katalogowy: SIGCD 907
Nośnik: 1 CD
Data wydania: kwiecień 2024
EAN: 635212090725
Nasze kategorie wyszukiwania
Epoka muzyczna: współczesna
Obszar (język): holenderski
Instrumenty: harfa
Epoka muzyczna: współczesna
Obszar (język): holenderski
Instrumenty: harfa
Holt: For solo harp - Canto Ostinato
Signum Classics - SIGCD 907
Kompozytor
Simeon ten Holt (1923-2012)
Simeon ten Holt (1923-2012)
Wykonawcy
Gwyneth Wentink, harp
Gwyneth Wentink, harp
Utwory na płycie:
- Canto Ostinato for Solo Harp - Section 1-16
- Canto Ostinato for Solo Harp - Section 17-41
- Canto Ostinato for Solo Harp - Section 41-73
- Canto Ostinato for Solo Harp - Section 74 (Theme I) - 87
- Canto Ostinato for Solo Harp - Section 88-90
- Canto Ostinato for Solo Harp - Section 91-84
- Canto Ostinato for Solo Harp - Section 95 (Theme II) - 106
- Canto Ostinato: Single Section 74 (Theme I) - end - Canto Ostinato: Single Section 74 (Theme I) - end
- Aforisme No.2 - Aforisme No.2
Ostinato:
Section 1-16
Section 17-41
Section 41-73
Section 74 (Theme I) - 87
Section 88-90
Section 91-94
Section 95 (Theme II) - 106
Single Section 74 (Theme I) - end
Aforisme No. 2
Section 1-16
Section 17-41
Section 41-73
Section 74 (Theme I) - 87
Section 88-90
Section 91-94
Section 95 (Theme II) - 106
Single Section 74 (Theme I) - end
Aforisme No. 2
In a new arrangement for solo harp, celebrated harpist Gwyneth Wentink presents Dutch composer Simeon ten Holt’s Canto Ostinato and Aforisme No. 2 (a transcription by Jeroen van Veen on behalf of Simeon ten Holt). “I first heard Canto Ostinato on piano in 2011 and I felt as if I was on fire. THIS is
something I wanted to play on the harp: I clearly recall the zeal and enthusi- asm I felt at the time. I was buzzing with curiosity, excitement and vitality. Ex- ploring various musical genres, arranging music for the harp and working in
interdisciplinary settings is something that has always been important to me. Playing the harp, one is being confronted with a rather restricted repertoire, and one almost evidently scans the horizon for what else one can arrange, commission and/or discover” – Gwyneth Wentink.
something I wanted to play on the harp: I clearly recall the zeal and enthusi- asm I felt at the time. I was buzzing with curiosity, excitement and vitality. Ex- ploring various musical genres, arranging music for the harp and working in
interdisciplinary settings is something that has always been important to me. Playing the harp, one is being confronted with a rather restricted repertoire, and one almost evidently scans the horizon for what else one can arrange, commission and/or discover” – Gwyneth Wentink.