Aharon Harlap:
Akeidat Yitzchak. Die Bindung Isaaks. The Binding of Isaac

Ödön Pártos:
Hamawdil. Shabbatlied. Shabbat Song

Yehezkel Braun:
Vayimalet Kayin. Als Kain flüchtete. Thus Fled Cain
D’ror Yikra. Er wird die Freiheit verkünden. He Will Proclaim Freedom
Shir Hashirim. Hohelied Kapitel 3. Song of Solomon 3

Shiri Riseman:
Chidot. Rätsel. Riddle

Tzvi Avni:
Mizmorei tehilim. Psalmen. Psalm Canticles (47, 48, 150)

Dov Carmel, Yehezkel Braun:
Uri Tsafon. Erhebe Dich, Nordwind. Awake, North Wind!

Traditionell:
Tsur mishelo achalnu. Der Herr ist mein Fels. The Lord Is my Rock

Gil Aldema::
Tsur mishelo achalnu

Menachem Wiesenberg:
Wer wet bleib’n, wos wet bleib’n. Wer wird bleiben, was wird bleiben. Who Will Be Left, What Will Be Left
Nr. 1 In Chuter. In der Hütte. In the Hut
Nr. 2 A Wogen Schich. Ein Wagen Schuhe. A Wagon of Shoes

Pinchas Minkowski, Sara Shoham:
Shabbat Hamalka. Shabbat, die Königin. Shabbat the Queen

In 1955, the conductor Gary Bertini founded the Rinat Choir and thus established professional choral music in Israel. The founding of the Rinat had a significant influence on the development of the Israeli choral scene; the choir was finally named the national choir in 1972. Psalms, verses and hymns were set to music for the Rinat Choir by the country's leading composers and transformed into extensive Hebrew motets and oratorios. The founding generation of Israeli music consisted of outstanding professional musicians who were born in Europe around the turn of the century. Although these composers came predominantly from Germany, Eastern Europe and Russia, their sources of inspiration can by no means be reduced to the music of their respective countries of origin. On the contrary: what united many of these composers was their fascination with the traditional music of the Jews, especially of Sephardic, Persian and Yemenite origin, and with the music of the Arabs they encountered in Palestine. The next generation of Israeli composers were not necessarily born in Israel either, but were strongly influenced musically by this country from the very beginning. In the 1960s and 70s, this generation disseminated their inspirational sources and borrowed from contemporary styles that they had become familiar with during their studies in Europe and the USA. While some representatives of this generation carried on the tradition of the founding generation, other composers introduced current developments in the musical world into the Israeli art music of their time. The pool of influences was also expanded to include American composers such as Aaron Copland, George Gershwin, John Cage and Lukas Foss.