Salaverde: Orfeo Celeste
Vanitas - VA 01
Kompozytor
Bartolome Salaverde (1580-1640)
Bartolome Salaverde (1580-1640)
Wykonawcy
La Reverencia:
Manuel Pascual, cornetto
Pavel Amilcar, violin
Jorge Miró, viola da gamba
Thor Jorgen, viola da gamba
Pablo Zapico, archilaúd and guitar
Pedro Jesús Gómez, tiorba and guitar
Miguel Ángel Orero, percusion
Laura Puerto, harpsichord and organ
Andrés Alberto Gómez, harpsichord, organ
La Reverencia:
Manuel Pascual, cornetto
Pavel Amilcar, violin
Jorge Miró, viola da gamba
Thor Jorgen, viola da gamba
Pablo Zapico, archilaúd and guitar
Pedro Jesús Gómez, tiorba and guitar
Miguel Ángel Orero, percusion
Laura Puerto, harpsichord and organ
Andrés Alberto Gómez, harpsichord, organ
Utwory na płycie:
J.H. Schein: intrada- Bartolome De Selma Y Salaverde: Canzona I
- Bartolome De Selma Y Salaverde: Canzona III
- Bartolome De Selma Y Salaverde: Canzona II
- Bartolome De Selma Y Salaverde: Canzona V
- Bartolome De Selma Y Salaverde: Canzona VII
- Bartolome De Selma Y Salaverde: Canzona I
- Bartolome De Selma Y Salaverde: Fantasia
- Bartolome De Selma Y Salaverde: Canzona I
- L. Luzzaschi: Toccata
- Bartolome De Selma Y Salaverde: Canzona III
- Bartolome De Selma Y Salaverde: Canzona II
- Bartolome De Selma Y Salaverde: Canzona VI
- Bartolome De Selma Y Salaverde: Canzona II
- Bartolome De Selma Y Salaverde: Canzona X
- Bartolome De Selma Y Salaverde: Vestiva
- Bartolome De Selma Y Salaverde: Canzona IV
- Bartolome De Selma Y Salaverde: Canzona II
01. Intrada (01:59)
02. Canzona Prima a Cuatro (04:33)
03. Canzona Terza a Una (05:43)
04. Canzona Seconda a Doi (03:27)
05. Canzona Quinta a Tre (03:44)
06. Corente Settima a Tre (01:42)
07. Canzona Prima a Una (03:59)
08. Fantas?a (04:46)
09. Canzona Prima a Doi (05:47)
10. Toccata Del Quarto Tuono (01:58)
11. Canzona Terza a Cuatro (03:23)
12. Canzona Seconda a Una (03:34)
13. Canzona Sexta a Tre (03:31)
14. Canzona Seconda a Tre (02:15)
15. Canzona Decima a Doi (02:43)
16. Vestiva i Colli Passeggiato a Doi (04:20)
17. Canzona Quarta a Doi (04:01)
18. Corente Seconda a Cuatro (01:32)
02. Canzona Prima a Cuatro (04:33)
03. Canzona Terza a Una (05:43)
04. Canzona Seconda a Doi (03:27)
05. Canzona Quinta a Tre (03:44)
06. Corente Settima a Tre (01:42)
07. Canzona Prima a Una (03:59)
08. Fantas?a (04:46)
09. Canzona Prima a Doi (05:47)
10. Toccata Del Quarto Tuono (01:58)
11. Canzona Terza a Cuatro (03:23)
12. Canzona Seconda a Una (03:34)
13. Canzona Sexta a Tre (03:31)
14. Canzona Seconda a Tre (02:15)
15. Canzona Decima a Doi (02:43)
16. Vestiva i Colli Passeggiato a Doi (04:20)
17. Canzona Quarta a Doi (04:01)
18. Corente Seconda a Cuatro (01:32)
It is hard to describe the character of this music, the quality of the pieces is quite changeable due to the fact that Selma sometimes offers a sober style and others catches us unaware with fantasy, emotion and musical inventiveness. At the same time he shows a distinct reiteration regarding certain harmonic patterns and tones, however, the stylistic character of these compositions clearly shows the influence of the instrumental Venetian school of the first half of the XVII century. Not reaching the technical quality and extravagance level that canzonas of composers like Girolamo Frescobaldi or Giuseppe Guami have, the music of Selma doesn´t stop being a very particular example of the music of the XVII century since he is one of the most limited examples of instrumental Spanish music of that time that has arrived to us. Music that, using the words of the poet José Hierro:
... It sounded with unrepeatable transparency
Several centuries ago
And what is now listened Is an echo that arrives, crossing time,
With melancholy…
... It sounded with unrepeatable transparency
Several centuries ago
And what is now listened Is an echo that arrives, crossing time,
With melancholy…
Zobacz także:
